Welcome to Verselove, a place for educators to nurture their writing lives and to advocate for writing poetry in community. We are gathering every day in April to write– no sign-ups, no fees, no commitments. Come and go as you please. All that we ask is that if you write, you respond to others to mirror to them your readerly experiences — beautiful lines, phrases that resonate, ideas stirred. Enjoy. (Learn more here.)

Our Host: Bryan Ripley Crandall

Bryan Ripley Crandall lives in Stratford, Connecticut, where he directs the Connecticut Writing Project and is Professor of English Education at Fairfield University. He gained his teaching legs at the J. Graham Brown School in Louisville, Kentucky, a K-12 public school with a mission for diversity, inclusivity, and equity, and is a proud teacher-leader inspired by LWP XXI. He co-hosts National Writing Project’s The Write Time

Inspiration 

Early in my teaching career I read an article written by Sara Corbett that introduced me to the historical experiences of children uprooted by war in Sudan. The story redirected all I hoped to achieve as an educator, including how I might use the power of words to change the world for the better. Katherine Applegate’s middle-grade verse-novel, Home of the Brave, details the story of Kek, a Sudanese child relocated to the U.S. as a refugee-background  youth.  One of the poems in the book, Scars, details a  remorse felt  for not having a gaar ceremony , the Dinka tradition of scarring a young boy’s forehead as an initiation into adulthood.

You’re lucky, Ganwar says.
Why would you want such scars?
Here they mean nothing.

There they meant everything, I say. (p. 175)

Process

I like to  pair Applegate’s “Scar” with a song by Emmanuel Jal, author of War Child: A Child Soldier’s Story. The  song, “Scars” features Nelly Furtado, and has helped me to get students and teachers  writing for years. The refrain, My scars are what got me this far / And now I can touch the stars / Coz it don’t matter who you are (who you are) / We all got scars allows me to ask others: What scars do you have? Where are they? What stories do they tell?

Directions: Write about a scar, one that may be physical in nature or one that might be more  emotional. To get started, think about these questions: Where did it come from? How did you get it? Who was with you at the time? What is the story that goes with the scar?  What would the scar say about you? etc. I went with a broken finger that never healed right (with a slight illusion to Cat Stevens). 

Same Old Story

Bryan Ripley Crandall

Your Turn

Now, scroll to the comment section below to write your own poem. (This is a public space, so you may use only your first name or initials depending on your privacy preferences.) Not ready? That’s okay. Read the poems already posted for more inspiration. Ponder your own throughout the day. Return later. And, if the prompt does not work for you, that is fine. All writing is welcome. Just write something. Also, please be sure to respond to at least three writers. Oh, and a note about drafting: Since we are writing in short bursts, we all understand (and even welcome) the typos and partial poems that remind us we are human and that writing is always becoming. If you’d like to invite other teachers to write with us, tell them to subscribe.

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Cheri Mann

My favorite kind of poems tell stories, and this was a great prompt. I read it at the airport in Cincinnati and it didn’t take me long to decide to tell the story of what had just happened to me as I went through security. I wasn’t able to finish the poem until the evening when I was on the plane to London.

They patted me down in security today.
Ma’am, are you wearing a long necklace?
Have any metal?
Just breast prosthetics, I say. 
I learned six weeks ago 
they make me a suspicious traveler. 

I’m going to pat down the middle, under and around, she says, demonstrating what she’ll do. 
I shrugged.
I won’t feel it, I say, they’re not real. 

Even if you touched my body
I would not feel it. 
Two jagged horizontal scars score my chest
uneven and discolored 
populated with deadened nerves. 
The skin sometimes has an itch 
that no scratch can relieve. 

I want to say that all this matters
that these scars
scar my psyche. 
But I had no particular affinity
for an oversized chest anyway. 
Society has always made too much
of cleavage and unblemished skin
when the real value is simply being alive. 

They patted me down in security today
but found no insecurity. 

Kim Johnson

This is powerful – –
So much to think about here, and yet I can’t believe that in 2025, we still don’t have ways of getting around the pat-down. It crosses a line in the name of flying, and I’m glad you shared this.

Society has always made too much

of cleavage and unblemished skin

when the real value is simply being alive. 

brcrandall

Cheri, this poem focused on the exact moment it needed, too. Absolutely amazing from so many angles. “I learned six weeks ago / they make me a suspicious traveler.” Phew. Those lines and finding no ‘insecurity’ at the end is great language play. Enjoy your trip!

onathought

This poem is amazing, powerful … I keep reading “Even if you touched my body/I would not feel it.”

Also I can’t help but love that your poem traveled with you as it was becoming.

Jaime

This scar on my mind
When will it fade?
I wouldn’t have even noticed it
except for those texts from my husband

It throbs at the most random times
But often in the shower
when I am stripped down to my thoughts
and at those times
it is mostly rage.

Sometimes my scar
knocks me down flat
draped over a table-
but only in my mind.

Its not like the others—

The one on my chin
from moving a cabinet
all by myself
because I’m tough and I’m independent and I don’t need help

Or those circles on my arm
because I’m badass and a rebel
and pain doesn’t phase me
a game of chicken, to prove I’m tough

Oh my god
it is like these scars

a crack in the false exterior

My scar
it can’t be seen by everyone
but it shines inside my eyelids
every night.
Some day it will fade.

Martha KS Patrick

Several very powerful images/lines especially “often in the shower when I am stripped down to my thoughts” ; “the one on my chin from . . . I don’t need help”. Also the repeats / reframes “Its not like the others / Oh my god it is like the others” and “When will it fade? / Some day it will fade.” The poem shows powerful insights and rethinking right before our eyes. Thank you.

brcrandall

I love the line, “when I am stripped down to my thoughts,” especially in relation to scars and where we process them (interesting to see them processed when were vulnerable and in our most natural state). Thanks for sharing with us on #VerseLove

onathought

We watched Fiddler on the Roof tonight
I knew all the songs because you used to sing them
a long time ago

Memories are fine
a scar not a wound

When Golde and Tevye were singing
Do you love me
I wondered
Is it better to love then not
or to not then love?

Wondering is fine
a scar not a wound

It was a High School production
their closing night
the seniors cried at curtain call
I probably cried at my senior curtain call

Crying is fine
a scar not a wound

Rachel S

Thank you for sharing this – I love that refrain “a scar not a wound.” A brave statement. Nothing like Fiddler on the Roof to make you ponder life!

Jaime

Fantastic repetition! I pondered the difference myself quite a bit: how is the scar different from the wound?

Martha KS Patrick

I found the refrains very thought provoking. Especially when I read them different ways such as:
“Memories are fine – a scar (not a wound)”
“Wondering is fine – a scar (not a wound)
“Crying is fine – a scar (not a wound).”

brcrandall

It’s interesting to think how memories scratch a way into our unconsciousness and pop back into vision at strange times and with special triggers. Your line “the seniors cried at curtain call,” did this for me, bringing back years of producing a 10-minute play festival with teens and, always, feeling the feels when kids realize their commitment to something beyond themselves paid off. Thanks for sharing with us.

Chea Parton

Thanks for this prompt, Bryan! What an awesome way to show us how connected we all are.

There’s the one on my 
left forearm
Two lake-looking patches of slightly-whiter
A storm window broken
A moment of panic
to save my sister
who broke the window
to begin with.

There’s the one on 
my right knee
Where the spade bit took a bite
because Stepdad told me to carry the drill
without teaching me how.

There are the three layered one a top the other

            on my abdomen
            
These a reminder of chosen injury
to bring life into the world
A repeated healing
Made precious by 
the unscarred bodies 
screaming to come Earth-side.

There are the ones on my (proverbial) heart
too many to count.
But why would I want to?
The sum of me
is still here
is greater than 
each 
lumpy
tear-stained
part. 

Last edited 3 days ago by Chea Parton
Chea Parton

It won’t let me indent “right knee” to be on the right side of the page…. So, just know that’s where it’s supposed to be. 🙂

Rachel S

Scars tell our story! All these poems today have really helped me see that. I love your stanza about your c-section scars: “chosen injury… made precious by / the unscarred boddies / screaming to come Earth side.” Pretty beautiful, how we choose to be scarred so they can be born, perfect & whole. Love your ending too! “The sum of me / is still here.” Thanks for sharing.

Martha KS Patrick

Such a beautiful tribute to a heart-filled active life.

Especially love the closing “the sum of me is still here is greater than…” and what I hear and see as double meanings of tears (rhymes with peers) and tears (rhymes with pairs).

brcrandall

Chea, I love all of this, but especially “A repeated healing / Made precious by /
the unscarred bodies / screaming to come Earth-side.” And I’m thinking about the spade bit, as I have done that before, too, resting wood on my leg and not realizing how quickly I could drill through it. Oi Vay. Forgot about that one. The repeated healing, though…precious. Love knowing you’re with us again this month.

Ashley

Thrice angry red, now pale and white
11 centimeters, medical moissanite
One, Two, Three, all came too early
One fine, one distressed, one breathing tersely

11 years ago today, the first scar was made
My sweet boy, my sometimes renegade
Not on things that will create more scars
But…eating vegetables, bedtimes, avatars

9 years ago–10 a few months from now
Another sweet boy, a solemn vow
Would be broken within a year
I held them, and held my tears

3 years ago-4 once winter returns
My fierce girl, a warrior in a tiny form
One day in the hospital, so I could fly
To another far away to be by her side

A scar I love–all 11 centimeters

brcrandall

Wow. The rhyme works. The storytelling. The power of motherhood captured in verse. Applauding all of this, Ashley.

Barbara Edler

Ashley, your poem is full of mother love and a true testament of how precarious childbirth can be. Your carefully chosen words perfectly flow to the final line that celebrates the 11-centimeter scar you love. Stunning poem!

Rachel S

I love how all the stress & pain build up in each section & then come to that beautiful conclusion. A scar you love – that was not come by lightly! (Maybe that has something to do with the love you have for it.) Relatable & beautiful!

Julie Hoffman (she/her)

“Inside My Shoes” (with a nod to researcher-poet Dr. Darius Phelps)

Inside my shoes
are my feet 
that have been running since I was 2.

At first I ran
hoping to be chased—
by my big brothers, 
my big sister, 
maybe even one of my parents

Eventually I ran 
to get away—
from my big brothers, 
my big sister, 
maybe even one of my parents.
 
Inside my shoes 
are feet with scars 
hardship 
fear 
sadness
loss

Inside my shoes 
are feet with stories
Standing up
Strength
Resilience
Victory

Inside my shoes
are feet that still run 
sometimes, even when I don’t want to,
but I do it anyways because I know that it 
makes 
me 
stronger.

Inside my shoes
are feet that run
around the block, 
across the bridge, 
toward a 3K 
and maybe eventually a half marathon— 

Running toward myself
In promises of  
progress and 
healing.

Mo Daley

I really like the progression in your poem that seems to echo your progression into a strong, smart and healthy woman. The theme of progress is wonderful.

First of all, Julie, any shout out to, now, DOCTOR Darius Phelps, is a win-win-win for me. And I see you (and this poem) running, running, running with these storied feet. I’m here for all of is. Love this…and the healing.

Julie Hoffman (she/her)

Yep, he successfully defended his dissertation yesterday, so he is officially Dr. Phelps. I have been saying Dr. Phelps as often as possible today. 🙂

Anna Roseboro

Julie, the chronology of your poems reflects so well the to and fro of life in terms of family and self. And, including various rationales for running adds another depth of thought. Thanks sharing and suggesting your (and often our) reasons for running that may cause scars in relationships.

Denise Krebs

Julie, what a precious poem of resilience. I love the repetition of “Inside my shoes.” I love the switch in the meaning of “running” in the last stanza. “Running toward myself” Beautiful!

Lainie Levin

WOW. Bryan, this poem sings. The way you work in three generations’ worth of father-son relationships, told through the hands…it’s incredible. I’m hearing Cat Stevens’s “Father and Son” in my head as I read, as well. “I have his hands now, his hands / furrowed by age, work / & all the mistakes I’ve made.” Brilliant imagery.

Here’s mine:

A Map of the Outer Lands
We begin the tour
at our northernmost point, with the
oldest of our scars:
a souvenir left from the
Great Door Frame-Forehead Confluence of 1974,
then just a quick drive southeast, til we’re at
Crater Pock, established in 1978
by a prospector looking to
settle an under-eye chicken pox score

There aren’t many roadside attractions in this area, folks,
but as we’re driving the eastern shoulder
keep your eye out for the trio of trenches,
vestiges (two benign) from 2024’s Biopsy Spring.

From there, the roads are clear until we reach
south-of-the-knee country.
There’s no telling what you’ll hit:
trip-and-fall scabs, barbell scrapes,
coffee table collisions.
It’s all wilderness there, folks,
and it’s a rocky end to an otherwise smooth trip.

That’s all for today’s tour,
(don’t forget to tip your guide)
but for those of you looking
for more adventurous territory,
we’ll be giving tours of the heart
on alternate Tuesdays.

Barb Edler

Lainie, I love your voice in this poem. Your humor is striking and the metaphor is cleverly developed. Loved “south-of-the-knee country”. I was particularly drawn to your end when you close with “for more adventurous territory,
we’ll be giving tours of the heart
on alternate Tuesdays.”
Yes, that tour might be a bit more adventurous to say the least. I’d leave a tip if I could!

Mo Daley

What an amazing approach to this prompt, Lainie! Your sense of humor really shows how you have been able to deal with your scars- big and small. I love your don’t forget to tip your guide line!

brcrandall

There is so much scar-play, Lainie, and I love all of it. “Great Door Frame-Forehead Confluence of 1974” = What? I want more. Love that you dated it. The timing…the traditions…the tenacity of scars. I’m not sure I’m ready for tales of the heart.

Julie Hoffman (she/her)

I love the poetry-map! I want to draw it all out on paper.

Gayle j sands

Lainie-you can give me a tour any day! Where should I send my tip? I love the light tone and the names of your monuments!

Emily Martin

This is so clever! It’s like you combined today’s and yesterday’s prompt into a tour de fun! I especially love the dated incidents!

Lainie, love the speaker’s tone throughout this. Fun. The parentheses of “tip your guide” is perfect.

Barb Edler

Bryan, thank you for hosting today and providing this provocative prompt. I’m Moby Dick with plenty of cross-hatchings. I struggled to craft a poem today that flowed, perhaps I had too many stories and broader topics to consider. I finally went with this one that shares my first scar, at least I think it’s the first one. I appreciate the specific details of your narrative poem and how you show the power and happiness hands can create even after being somewhat impaired.

Scarred

when I was 14
I broke a glass while
washing dishes
sliced my index finger 
wide open

dad fashioned a splint
with a yellow plastic spoon
wrapped it with black
electrical tape
to heal the wound

my ugly bandage,
a noticeable topic of conversation.
didn’t attract a cute boy
I met on the street
one look told him I was dirt-cheap

my white jagged scar 
is like a star on a cloudless night
I can easily trace, leading me to rediscover 
an awkward teen and family wounds 
that never heal

Barb Edler
5 April 2025

Glenda Funk

Barb,
In an uncanny coincidence, you, Denise, and I all wrote about cutting our hand. I know this sense of poverty and cutting my hand while doing dishes. Your dad was ingenious w/ that splint. The details give us a clear image of the splint. That boy wasn’t worth having and probably got fat and bald in his later years, so not so cute.

Kim Johnson

I almost wrote about running with a glass down the hall of my grandmother’s house and falling with it and cutting mine……crazy!

Wendy Everard

Barb, I got to Stanza 3 and literally gasped, “No!” He doesn’t know what he missed! 🙂

Dave Wooley

Wow, Barb, that last stanza is beautiful and it perfectly encapsulates how the scars we have hold our secrets and our past selves.

Mo Daley

I agree with Dave- that last stanza is just perfect. The image of the star on a cloudless night- wow.

Gayle j sands

Add me in to what they already said. Beautiful!

Leilya Pitre

Barb, when you say you struggle with crafting a poem, I am left speechless reading your poems. You make it seem so easy. You dad’s fashioned splint is so vivid, I can see you there with your index finger wrapped in black tape with a yellow plastic spoon sticking out. The final lines are sobering and make me linger on them thinking about my family scars. Thank you!

brcrandall

Barb, this is the detail that took my breath away as it was too true (and authentic to times that once were) to make up. “dad fashioned a splint / with a yellow plastic spoon / wrapped it with black / electrical tape” Just wow on that line. Wow.

Ashley

Barb,

Your poem made my heart go out to you. I too have had some unconventional treatments. The boy is a fool, but your poem is moving.

Susie Morice

Barb — What a bandage! It sure speaks to the teenage desire to be like everybody else and never stand out with yellow/black bandages…made me chuckle but truth to tell, it never feels good to be embarrassed as a teenager or any-ager. And look how you’ve turned out to be an amazing poet with words that make your readers melt or cry or laugh or cringe…that “cute boy” was probably a dope. LOL! I get the sense of having family members not understand what embarrasses or what matters to a young girl. My dad was utterly numb to my world. Thank heavens for my mom. Hugs, Susie

Denise Krebs

Barb, wow. What a description of his bandaging–the yellow spoon and black electrical tape. That last stanza with the poignant line, “is like a star on a cloudless night” It makes me feel the strength of you and learning and growing from adversity, even from wounds that never heal.

Kim Johnson

Barb, this makes me wonder, with Glenda’s comment below, why I didn’t go with my first scar ever – – running down the hall with a glass of milk and falling on it and cutting my hand. I like the story here, and the larger aspect of healing. The spoon and the electrical tape truly gave you a story – – and make you extra-unique. Not many people can say that they were once held together by a spoon and tape. Can I just say I’m glad I have a friend who was? I’ m sorry about your finger, but I do love that kind of originality. Smart dad!

Wendy Everard

Bryan,
This was an interesting prompt! Love the structure of this poem — and that stanza about your dad’s hands around the steering wheel! As the kids say: so real. I could substitute my dad, a Winston, and a Genesee beer for this and feel right at home in this stanza.

Don’t laugh, but this poem made me channel country music and Johnny Cash. Whaaaaa?? I don’t even know. And this poem is not NEARLY as good as any Johnny Cash song, so don’t tell him I said that.

Well, I’ve gotten off about scot-free
To the ripe old age of fifty-three
And my body’s just about scar-free
Unless you count my heart.

My feet:  some plantar fasciitis
My shoes, with inserts, at their tightest
My metatarsal’s got tendonitis
From shoes with little arch.

My legs are scarred from razor blades
But none have stories drama-laid
And knees are scuffed from rollerblades
But still have strength to dart.

(We’ll skip the middle, femmy bits,
Cuz no scars there worth mentioning it)
But poor ole belly’s taken hits 
With tummy pains in part.

Then onto lungs and throat and face
No scars there, by God’s own grace
But, as I mentioned there’s one place
That holds its share of darts.

My heart’s the place that taken beatings
Luckily, it’s done some healing
Still, it can’t help from revealing
Feelings torn apart.

These scars are the worst to heal
They make my memories sometimes reel
From all the hidden, bygone feels
That make survival art.

Glenda Funk

Wendy,
The playful cadence and naming of body parts belie and hide the heart’s pain. You and I, I think, are going for a similar idea but took different ways to get there. And, gurl, don’t skip the femm parts. They too art part of that art of surviving life.

Wendy Everard

LOL! Thanks, Glenda!

Barb Edler

Wendy, your poem is such an amazing lyrical review of all your scars, and hey, I get the tummy part (I have railroad tracks). The heart is the one that is the “worst to heal” and I love how you draw the reader to that more serious conclusion. I think Johnny Cash would be proud!

brcrandall

Wendy, this is brilliant! In fact, I’m loving the 100% Johny Cash vibe to all of this. I couldn’t help but sing it out loud as if I had his raspy voice. I mean look at these lines… “Then onto lungs and throat and face / No scars there, by God’s own grace.” I mean, come on now. I love this…all of it.

Ashley

Wendy,

Your poem took me on an emotional roller coaster, and it made me pause and reflect on how many layered meanings could exist. I felt relieved and comforted by your “none have stories drama-laid” wow! What a powerful way to reassure your audience. The last two lines moved me.

Susie Morice

Well for cryin’ out loud, Wendy! This is priceless. I just adore what you did here. While there’s humor to the tracking up your body, it is serious stuff you share here…the heart is always a delicate, serious part. Your turns of phrasing are wonderful. The cadence of each stanza made this fun to read…I read it aloud and loved that. Cool poem! Susie

Dave Wooley

Wendy,

This might be a new form–the body scan poem! I love the tone and playfulness of this and the anchoring in your heart and then that last stanza!

Amelia

Scars…

Once a pain,
Has now become a lesson
A distant memory
Of the darkest of days

But oh!
Who would I be without it?
For has it not shaped my being?
When I look in the mirror,
Would I still see the broken,
But beautiful reflection of me?

Or would a perfect, lifeless reflection
Stare back at me?
The perfect person
Who dared not live
In fear of life’s painful grip.
For who would I be without my scars?

I know it to be,
A reflection of the fearful
Version of me.
Who dared not live
As they were intended to be.

brcrandall

Amelia, I imagine the reflections of today differ from the versions of yesteryear, while will vary from the reflections of tomorrow. I believe the important part is to keep yourself in the vision. Thanks for sharing your words with all of us.

Anna Roseboro

Amelia, your choice to look in the mirror and describe literally and figurative what you see gives power to your poem. You acknowledge that scars come when one acts, and not acting would be experienced as fearful living. You’d suggest that you rather be scarred for acting than the opposite.

Please know that many support your acting for the good of others, even if you work through fear and end up scarred. Your actions probably have prevented emotional and physical scars for others. Thank you!

Dave Wooley

Amelia,

I really like that 3rd stanza! Especially “The perfect person who dared not live in fear of Life’s painful grip.” Living leaves scars and you express that beautifully in that stanza. The other option leaves us lifeless.

Glenda Funk

Bryan,
There are so many layers to your poem I notice: words like patriot have dual meaning as I think about those lessons fathers teach and what my own father would think of this moment in time. I wish we could format our poems in this space. I feel like I lose so much from not being able to play w/ presentation on the page as you’ve done. Years ago (and for many years) I had students create scar maps and use them as a basis for writing. I see you doing something similar w/ your students. Anyway, I love your poem.

crescent moon

last night a crescent 
moon hung lazily 
in the sky. 

the crescent-
shape mirrored an 
old scar on my right 
palm. i don’t mind 
sharing stories about 
the scar: that time a 
broken beer mug sliced 
my palm & opened a 
gaping wound. 
a blood-ribboned
rivulet pooled over 
glass shards. 

a crescent 
moon hung lazily 
in the sky last might

the moon mirrored 
a jagged crescent-
shaped scar on my 
father’s back where 
barbed wire sliced
an open-mouthed 
gully. the scar covered 
half his skin. as a child 
i traced the scar with my 
finger on muggy sum-
mer nights as dad
stood shirtless, shaving 
over the back porch 
sink & we listened to 
St. Louis Cardinals 
baseball on an ancient 
transistor radio

waning crescent 
shapes hint at 
histories carved in 
moon-molded 
scars affixed to 
skin hiding & 
hanging in unspoken
crescent moons
riveted to this 
nation’s heart. 

Glenda Funk
4-5-25

brcrandall

Glenda, I love how you are working with the light of the crescent moon to trace so many images between your own markings and your father’s…some with history that allowed our history to be. The curvature of the poem is like the blood-ribboned rivulets. Your words curl and shine, too.

Barb Edler

Glenda, your poem is amazing. I love how you pull the reader in close sharing the look of your scar and the situation. Then how you connect this scar with your own father’s scar and a special memory from childhood. Finally, you add a universal connection by providing the scars that hang unspoken “riveted to this/nation’s heart”. A powerful poignant poem that leaves the reader in awe, pondering the dark underside of scars that car pain and unspoken tragedies. I really adore your word choices throughout this one. Thank you!

Maureen Y Ingram

Isn’t a crescent moon a symbol of transition and change? Love how this is the throughline here.

histories carved in 

moon-molded 

scars 

love that!

Wendy Everard

Glenda, your use of “riveted” at the conclusion of your poem was so impactful. I attended our HandsOff Rally here in Syracuse today (3,000 people!), and these last few lines made me think of all of the scars I saw “riveted to this nation’s heart” this afternoon.

Leilya Pitre

Glenda, I like how you uncover your and your father’s “histories carved in moon-molded scars” and then skillfully connect these to the nation’s history. Your way with words, the moon, the light, the mirroring scars, blood-ribboned rivulets, and on, and on. So much to love here!

Susie Morice

Glenda — The crescent moon was stunning here the other night as well. I went outside at midnight and just like the way you described it, there it was hanging in the western sky. I took pictures of it…they were eerily gorgeous and unusual. Maybe your scars were visiting my night sky. Wooo! The moon crescent and the scar on your dad’s back really captivated me. As well as the Missouri connection (:-) . The end of your poem, though, is the real punch…”…unspoken/crescent moons/riveted to this/nation’s heart.” Scars that I fear will blister up and look raw for far more years than I will be alive. Alas. Hugs, Susie

Denise Krebs

Glenda, wow, the “waning crescent moon” in the sky has inspired so much connecting. The moon-shaped scars, the history of our nation’s scars. Your word choice is magical in phrases like, “a blood-ribboned / rivulet pooled over / glass shards.”

onathought

Glenda – I love how the imagery and the history intertwine here. It’s beautiful.

Mo Daley

Microbangs
By Mo Daley 4/5/25

Microbangs are a thing these days.
Sometimes I dream of them,
But I know, realistically, I will never have them
Not only because of my fivehead,
But because they could never hide
The dime-sized indent in my skull
Just half an inch above my brow.
It’s the scar that formed after the neurosurgeon
Drilled into my brain
In the middle of the night
When the whole world (except for me) recognized
That my brain had literally turned to mush
That needed to be removed
STAT,
Thus disallowing my ability to ever get microbangs.

Glenda Funk

Mo,
I was drawn into your poem w/ micro bangs and had to check my understanding of them. I like the playfulness that segues into the serious brain surgery you underwent. All CAPS for STAT underscores the seriousness of the emergency. You are a master at saying a lot w/ a few words.

brcrandall

Wow, Mo. The wit of ‘fivehead,’ but the harshness of a neurosurgeon drilling into your brain. That is a scar to explore, indeed. Thank you for contributing to all of us finding the way to embrace scars to take us a little further.

Maureen Y Ingram

whoa. I started off chuckling, with the joking about fivehead…and then, wow. Frightening tale. I would gladly give up microbangs for this essential surgery for a healthy brain. Incredible poem, Mo. What a scar story!

Barb Edler

Mo, I love your straight-forward voice you have adopted to share why you will never have microbangs. I also like the way you describe your wound/scar and have the word STAT capitalized. This emphasis provides the alarm bells for this emergency situation. I can’t even imagine the trauma developed from having to have brain surgery. You must have a myriad of stories from this single experience to share. Incredible poem, and I’m so glad you only have a dime-sized scar. Who needs mircrobangs anyway!

Wendy Everard

OMG, Mo — that shift at the end. This poem, to me, was a roller coaster: playful at first, turning serious, then that last line, which recalled the humor at the beginning but, also, carried a finality with it. This was really cool.

Susie Morice

Holy Smokes, Mo! Whoof…of all the poems I’ve read today, this one whacked me cold. You are one strong holy mama. I don’t even know how you can describe it so stunningly…what a frightening moment in your life! Geez. I stand in awe of your strength. Thank you for sharing this poignant experience. So glad your are here with this community. Hugs, Susie

Kim

Bryan–thanks for the reminder about the power of scar stories. I’ve written them in the past, had my students write them–but today, my own good fortune turned my scar attention in a different direction.

Instead of my own scars, my mind immediately went to a student that I didn’t get to help this year. Time with me was too brief, attendance too sporadic, and eventually fear won and my student was gone. I can only imagine the resulting scars for this child and this family.

Both Molly at Nix the Comfort Zone and Margaret at Reflections on the Teche posted poems using a form they called a shadorma: a six-line poem that follows a 3/5/3/3/7/5 syllable count. To keep myself focused and constrained–and to keep from getting up on that soapbox, I used this structure for today’s poem.

Immigration Policy Fallout

scarred learning
at only seven
fear impedes
permeates
school: expensive luxury
erasure of hope

Kim Douillard
4/5/25

Glenda Funk

Kim,
What so many don’t understand and have not learned from history is the scars we carve into children also cut scars into us. My heart hurts for all the children who have and are losing their chance to learn because we have a racist POS in the WH being enabled by other racist POSs.

brcrandall

Kim, it crushes me to know the children are being burdened with adult stupidity, especially along borderlines and politics. I think of Woodson’s Harbor Me, and all the work I do with immigrant- and refugee-background youth. Cruelty is there point, and I wish for karma in all cases to do as karma does. We’re all being scarred at this moment. Thank you for bringing the shadoma to all of us.

Wendy Everard

Kim, I love that this leaves a lot to the imagination. Succinct, but rich in suggestion.

Jamie Langley

scars

3 scars mark my body
remind me of recent surgeries
2 hips replaced – 1 lump removed
lucky me

frightened by hip surgery
tried physical therapy, acupuncture
x-rays were undeniable

a biopsy – not benign
and DCIS entered my vocabulary
along with more doctors than I’d seen in years
end result remains positive

a 2nd hip replacement
left me one physically able woman
now weekly yoga and strength classes

each day as I step from the shower
3 scars greet me in the mirror
a reminder of what’s possible

brcrandall

Jamie, I am thinking about the mirror, especially as one steps out of the shower and recognizing your line, “each day as I step from the shower / 3 scars greet me in the mirror.”
I’ve had a few hernia surgeries and, well, they say good morning to me every morning, too. And those good ol’ hips. Take care of yourself (these are the scars that have got you this far)

Glenda Funk

Jamie,
You have been through a lot. Now look at you w/ those scars as badges of honor. I love that last line: “a reminder of what’s possible.” Bravo!

Dave Wooley

Jamie,
This poem is really a testimony to grit and perseverance. And healing and hope. I love that you see the possibilities of what’s ahead in the 3 scars that you see in the mirror.

Dave Wooley

The Scar

Did you know a scar can give you superpowers?
It’s true. Let me explain.
First off, it’s not me. 
No super powers here. 
It starts with my kids, 
But it’s not their  super power, either. 
They’re just some regular old kids.

BUT, they were all born
MacDuff style, 
from their mother’s womb
untimely ripped, and all that.
(that’s a c-section for the
unShakespeareanated)
And that left 
A scar.
And this scar is the super power!

You’ve never seen anything quite like it
(the superpower, not the scar)…
Whenever one of these kids gets
A little funky attitude,
Mom is there with a 
Do I need to show you this scar?!?
An unrealistic request–
I don’t OWE you anything, you seen the scar!
Trying to argue the house rules
SCAR.
Attitude fixed, request dropped, argument over. 
She even uses it on me–
I didn’t come from there!!!
Still works. 
Superpower. 

I tried to tell my kid something the other day,
You know what he says?
You don’t have no scar.
Damn.

Thanks Bryan for hosting today. I love this prompt. It’s such a great way to get kids to talk to each other too, bonding over scars and sharing stories from their lives. I’ve used scar writing many times in the classroom after seeing you do it with the kids from the Writing Project.

brcrandall

Dave, I’m simply thankful Kris hasn’t pulled the scar tactic on me. I’d have to pull out my noggin’ scar, from the day you rushed me to the hospital (“Hey, Dave. I apologize for what you might see. I just fell out of the shower”)(and you thought I was impersonating Justin). I love the voice you’re working with in this piece and I’m thinking about how closely scar/scare/scary are (knowing that when mom gets mad…it’s scary). Love writing you online, if not CT or PA (or even Ohio).

Leilya Pitre

Dave, what an enjoyable scar story! I smiled at all the ways Mama Wooley uses it. I love this side note “(that’s a c-section for the / unShakespeareanated).”

Gayle j sands

Dave—I’m chuckling as I read this. Kudos to your wife’s superpower. Kudos to your poem!

Barb Edler

Oh, Dave, this poem is an absolute hoot, and I love how you reveal some very relatable family dynamics. Your opening question is a powerful hook, and I was completely pulled into why a scar provides a superpower, one that you can’t really steal from your wife. Very fun poem. I loved it!

Susie Morice

OH my word, Dave, this is screaming hilarious. I LOVELOVELOVE this poem. I’m still laughing out loud. Sorta makes me wish I had such a scar. Well, no, but still… Holy cow…I’m going to read this poem to my cousins…they will LOVE this. Guilt is a dandy superpower for sure. I’m so glad you wrote this today. Thank you. Susie

Jennifer Kowaczek

What a fun poem! Thank you for sharing; I wish I thought to use that super power.

Emily Martin

Bryan,
Thank you for this prompt and your poem. I love how you took a moments son to father, father to son. I have for years enjoyed your poetry. As evident in this poem, you are able to take these moments like throwing a football and make them reflective. The description of the ball spiraling among maples and hovering along sunbeams followed by this line–“that sometimes blind our judgement.” Powerful.

Pete’s Scars

I stood beside
My little brother
When he dived
For a football
Into the couch

Rose like a rocket
Holding the ball
High above his head
Blood wetting his cheek
Red against the green shag carpet

I’d forgotten that scar
Until years later when
Again I sat beside his bed
Another scar bright upon his head
A doctor’s second attempt
To give him a few more months.

The scars, not there for long
Now burned with his body
And left upon my heart
As I remember the
Last weeks
When beside my little brother
I stood.

(Someday all scars erased
And back with him I’ll be
Until then,
Memory.)

Last edited 3 days ago by Emily Martin
Jamie Langley

Emily, You share a powerful memory of your brother through scars. It’s so interesting to see how poetry allows us to enter different spaces. The first clear to us through your image with your words – Red against the green shag carpet. And then the scar bright upon his head. Your words describing that they were not there for long . . . burned with his body. Wow. I’m sad reading of your loss. Your thoughts and feelings are fresh for your readers.
Jamie

brcrandall

Wow, Emily. This writing brought me to tears, as I was picturing, “When he dived / For a football / Into the couch” and was not prepared for “burned with his body” or the “doctor’s attempt.” Phew. This is a poem/poem. I would keep this poem alive in your writing and revisions over and over again. It is powerful and well crafted. It is also very felt…I felt this and am a better man for reading it.

Emily Martin

Thank you, Bryan! That is high praise coming from you. I am so grateful that you offered us this prompt today and football was in your poem or I may have not thought to write one today about my brother. I really never wrote poetry until he died a year and a half ago which is right about when I discovered Ethical ELA thankfully. Writing about him is always healing.

Amelia

What a special and powerful poem! The way you composed it was done beautifully!

Heather Morris

Not a Cute Dimple

As the story goes,
I ran and fell,
hitting my cheek 
on the cabinet knob.

I have no memory,
but I have a scar, 
which some call
a cute dimple.

It is faint
until I smile, 
which is always
a little lopsided.

It is one 
of a few reasons
why I don’t like
pictures of me.

How could something
so small and barely visible
affect every visual
history of me?

brcrandall

I love a little lopsided anything, Heather, but I’m sorry about the cabinet knob (I thought about writing about an 8-inch cabinet handle I fell into one time). Yikes! It’s also fascinating to think of one’s visual history. I either smirk or make a crazy face, because when I smile, smile, my cheeks get so large they almost cover my eyes and I look like a hippopotamus. Here’s to the scars (and those pictures of us we have to live with)

Jennifer Kowaczek

Thank you for sharing! Until I became a mom, I was never very fond of being photographed. I’m not sure why, but something shifted. I hope you find a shift as well.

Stacey Joy

Hi Heather,
First, I love “visual history” because it explains so much about how I see myself. You’ve captured the reality of how a small “flaw” to you is not small at all. I have dimples that have become facial folds! Go figure! 😊

Stefani B

Heather, I am pondering your last stanza and last line, our histories and how different “scars” influence us is powerful. Thank you for sharing.

Emily Martin

My son has a “cute dimple” from a surfing accident when he was 8-years-old. I like how you ended your poem with a question that is so relatable to me. How easily we judge our own looks.

Jamie Langley

Heather, I love your reference to your scar as a cute dimple. A skin cancer removal left me with one on the tip of my nose. And I don’t find it cute. I wonder how much more we are aware of such things than others. If it had not been my face. Love your closing words – affect every visual/history of me. Consider it your distinction.
Jamie

Amelia

I think a lot of people can relate to your poem in some way or another! I think everyone has things they wish they could erase, and I am sure your poem resinates without a lot of people. Your poem was beautifully written!

Maureen Y Ingram

ADHD scars

a toxin 
swallowed long ago
processed with shame
now metabolized into 
this relentless poisonous
soundtrack inside your head 
clamoring less than
incompetent a failure
no good unworthy unfit
the one to blame 

how to cleanse? purify?
breathe anew?
to see yourself as I do

my awesome child

Heather Morris

This pulls at my heart. What scars there must be that we can’t see. Powerful poem. The “poisonous soundtrack” makes my heart break.

brcrandall

I’m hearing that poisonous soundtrack, Maureen, and have heard it played with many of the students I’ve taught. We’re always looking for a spiritual cleanse (and I’m always worried about any unnatural panacea put into my body). Appreciate this sharing today.

Leilya Pitre

Maureen, you touched upon a resonant question. More and more I hear a similar ” poisonous soundtrack from my students, from friends whose children have ADHD. This scar is unseen but brings so much pain to kids and their parents. I wish there were cure to let all the affected to fill whole again. Thank you for sharing.

Kindra Petersen

The title caught me immediately. I have struggled with my ADHD diagnosis as an adult woman. I wish more people understood it was hereditary and serious, not just a matter of being chatty, forgetting, or being forgetful. I know what all of those mean. The word “cleanse” sticks out to me for some reason. I wish I knew why. I think it’s because I wish I felt pure but I have always felt the pressure to be cleansed. I love the phrase “my awesome child” because it takes a weight off my chest. ADHD can be awesome. And wholly overwhelming. Yet the. On notation of a parent saying “my” as in you claim, “my” as your hard work and nature, and “child” implies so much love. Thank you for this poem.

Emily Martin

I feel your love and pain here. This line, “this relentless poisonous soundtrack inside your head.” Wow. I know those ADHD scars are real and so is the love you have for your child. Beautiful.

Stefani B

Maureen, what a fabulous parallel you’ve made with adhd and “scars”–and how we can see others so differently than they see themselves. Love this!

Jamie Langley

Maureen, your focus on the non-visible scars leaves me staring at your words considering the impact. I imagine there are the feelings tied to response of others along with feelings facing the challenges faced by your child. As I read the questions in your second stanza, I’m left feeling healed by words which you do in your final line. Guess we can’t say it often enough. Thank you for bringing this to our attention.
Jamie

Glenda Funk

Maureen,
I feel your mama hurt heart in this poem. It is so hard to help a child suffering to
breathe anew?
to see yourself as I do”

Amelia

Wow! What I powerful poem! I like the image you used of “your head clamoring.” It really does sometimes feel as though these thoughts are so loud. I really like the way you used that line to illustrate that noise.

Barb Edler

Maureen, Ooof, I feel the mother’s love/frustration here. I can completely empathize. Knowing how it feels to want more than anything that your child sees themselves as you do, a wonderful, beautiful treasure who is worthy of love and is valued. Those alarming, clamoring soundtracks are soul-crushing. Hugs!

Scott M

The middle finger 
on my right hand
still holds the scar:
my finger versus
the serrated edge
of an industrial-sized
Saran Wrap box
in the kitchen of
the restaurant
where I worked
in high school;

I was trying to
catch a fly that
had lighted on
the corner of
the box, having
grown on a
steady diet of
kung fu movies
and ninjutsu books
checked out from
the local library,
I was sure I could
catch it, I mean,
Mr. Miyagi could
catch one with
chopsticks, and
I was trying with
my whole hand.

I couldn’t and I didn’t,

but I did get the
rest of the day
off from work

(because,
apparently,
gouts of blood
are unseemly
in a restaurant’s
kitchen, not to
mention, probably,
a serious health
code violation
or two).

__________________________________________

Bryan, thank you for your mentor poem and prompt today!  Your fingers sure can “dance across / [your] keyboard piano.”  I’ll listen to you play anytime!

Joanne Emery

Scott, I can see this so clearly. Your lines are sparse and crisp (like the Saran wrap edge). The humor in the last lines are perfect too.

Maureen Y Ingram

The twisted teachings of kung fu! I am reminded of a friend’s story of a hammer, a sibling, and a Three Stooges viewing… I admire the way you told this story, especially how you set the stage with a real sense of foreboding,

my finger versus

the serrated edge

Heather Morris

Those serrated edges are dangerous and hurt! I love the reference to Mr. Myagi. Your last lines made me chuckle.

brcrandall

Scott, I absolutely love reading what you do with the daily prompts, but I don’t believe I’ve ever know a soul who was ‘done in’ by a Saran Wrap box while impersonating Mr. Miyagi. That is definitely one for the record book. And I’ve not had employment in a restaurant ever, and I imagine there are likely a whole series of restaurant poems that could be written. And actually, you just triggered another memory of a scar across my toes where a robot named FUBAR was visiting a local mall and ran over my feet which were in flip flops. I wrote my bike to the mall, which I wasn’t suppose to, so I had to hide the fact that I almost lost three toes. I’ve always wanted to do something with that story, so maybe it was meant to be a poem. And now I’m thinking about Saran Wrap poems. You’ve launched my creativity.

Leilya Pitre

Scott, you know how to tell a painful story with humor. I chuckled reading these lines:
I mean,
Mr. Miyagi could
catch one with
chopsticks, and
I was trying with
my whole hand.”

Honestly, even the small home-size plastic wraps hurt me once in a while; I can’t even imagine how sharp the edges of the industrial one are. Thank you for your unique way of telling stories in poems!

Kindra Petersen

I think the thing that stuck out to me most in your poem was the length of the lindes and the enjambment. The lines seemed to get smaller, and that happens. This is visually pleasing in relation to the content. Thank you for sharing.

Emily Martin

Scott, I relate to your poem because one of my scars is from a burn I got when waitressing and choosing a burn over dropping a hot plate of fajitas! At least I didn’t have the blood. Those serrated edges are no joke! I really enjoyed reading your narrative poem. I laughed at the Mr. Miyagi line!

Stefani B

Scott, thank you for sharing this experience with us in a poetic form. Ha, visualized you in the fly scene in Karate Kid.

Susan O

I can almost feel that serrated edge and see the gouts of blood. Funny inclusion of the chopsticks, kung fu moves and the confidence of youth.

Susie Morice

Yikes, Scott! Oh my goodness!. I can just see you doing the Kung Fu move…hiiiii-yaah! And, as you always do so well…the ending is the icing on the poetry cake. Loved this. Maybe it’s not quite right to be laughing at the scar, but I can’t help myself. You’re the best, Susie

Martha KS Patrick

We had just met.
To my surprise, almost his first words were
“I see you’re not a virgin!”

“A surgical virgin that is.”
The speaker, a surgeon,
was studying my torso.

He can see old scars,
c-section, ectopic mishap,
cholecystectomy.

“I’m here to help when needed.
No reason to add another, yet;
save yourself for the future.”

And I have.

Angie Braaten

A surgical virgin. Wow, sounds like an interesting and humane doctor. Hopefully. This is such a creative setup for a poem that tells us about your scars in the context of an unusual exchange. That last line is powerful. Thanks for sharing.

Martha, what a provocative first stanza that had me then feel angry at this “he” for the insensitivity. I feel the speaker’s exposure here. You capture this so rally. WOW. Well crafted.

brcrandall

I love the last line, Martha, and how it takes ownership in a practice that can make someone feel violated…studied…a frog in a biology lab. And the stanza of the old scars share so much story. We are all glad you have been saved to write with us today.

Maureen Y Ingram

hahaha Wow, you caught me off-guard with that opening. I’d hope for a softer approach from someone who “can see old scars” – and so glad that you have not needed further surgery.

Kindra Petersen

There is so much implication in this poem. Maybe it was. Misread, but I also get that you made a decision in this poem. Not a virgin. Whether a doctor or a partner? A willing omission. Thank you so sharing the parts we are reluctant to share.

Scott M

Yikes! This doctor sounds like an HR nightmare! And I like the near bookending of your poem with “virgin” in stanza one and “sav[ing] yourself for the future” in the second to last stanza. Thank you for crafting and sharing this, Martha!

Stacey Joy

Hey Bryan,
Thank you for hosting us today and for an intriguing prompt. I’m dealing with an insane schedule today. Took students to perform my We Ain’t Banning poem at a district event, then to a wedding in Pasadena. Thus, I’m sharing what I have now and will return to comment. Much love to you and you’ve been missed so I’m grateful you’re back for Verselove!

Soul Scars

When a soul has scars
Nightmares reveal their story
Abuse on replay

Soul scars can birth strength 
To keep fighting your battles
With God as your shield

© Stacey L. Joy, 4/5/25

45-Soul-Scars

What a beautiful poem title and so haunting at the same time. You’ve captured the paradox of harm and healing in our being and sources of strength.

brcrandall

And so much of what you write shields all of us. I totally get those Saturdays (had one myself, but am now prioritizing responses). #VerseLove is a period of rejuvenation for me, and I love the fertilizer that help the seedlings grow.

Joanne Emery

Yep, Stacey, you are right! Scars birth strength. I love that. It will carry me through my day. Thank you!

Maureen Y Ingram

Stacey, I needed this today. Love the idea of ‘soul scars’ rather than simply invisible scars (which is how I often refer to them)…truly, “Nightmares reveal their story.”

Heather Morris

Powerful poem! My favorite line is “soul scars can birth strength.”

Susan

Powerful, Stacey!
This is wow:

Soul scars can birth strength 

Barb Edler

Stacey, I adore your title and the power of your poem. Your two stanzas concisely share a world of hurt and the power of healing through faith. Hugs!

Anna Roseboro

Amen, Stacey. It’s interesting than you use as the background for this poem what looks like a tree. Many who know either the Old or New Testament Scriptures recall how often believers are metaphorically likened to trees and that one gains strength by remaining connected to the Tree of Life. Good reminders, especially during the start of Holy Week observed by many here.

Rachel S

Thanks for this prompt, Bryan. I picked an ovillejo for my form – it’s always so satisfying when I can get one to work!

A Keepsake 
A white line, I can still see
(it reminds me)
on my finger, there to stay 
since that day
when I made cookies, as one does, 
with my cuz,
“doggy poop cookies,” and I was 
young, powdered sugar on my hands
and I somehow touched the pan:
it reminds me of that day with my cuz.

brcrandall

I love this, Rachel, and have gained a new style to boot. There’s a rhythm here that seems to align wonderful with a reflection on scars…It’s rhythmic and child-like. I’m going to have to try this myself. Thanks for sharing. As for “Doggy poop cookies,” this sounds like my bakery on Mt. Pleasant!

Maureen Y Ingram

This ovillejo is a new form for me…such a clever way to tell a story. I love how your ouch of a scar brings a smile now, “it reminds me of that day with my cuz.”

Jennifer Kowaczek

Rachel, I love the idea of our scars as keepsakes. I’m intrigued by “doggy poop cookies”; I’m imagining “Puppy Chow Mix” (PB, chocolate, powdered sugar, Chex cereal) in a cookie form.

Kratijah

You see that scar on my little finger
And the one on my ring finger 
And the one beneath my index finger- 
They tell a story, that of life that took a different turn
that of loneliness, new fears and trust fading away!

You see that scar on my little finger
And the one on my ring finger 
And the one beneath my index finger- 
They came from the man they say won’t break your heart,
The one who is usually seen as any girl’s first love 
The one who is usually seen as any little girl’s first hero 

You see that scar on my little finger
And the one on my ring finger 
And the one beneath my index finger on my palm 
It bled, it stung and it hurt
Something unknown to the childhood realm
Where I mostly enjoyed in calm 

You see that scar on my little finger
And the one on my ring finger 
And the one beneath my index finger-
They witnessed the tears I cried
They witnessed when I could not not open my hand
They witnessed the mockery when I felt like an orphan 
Because you chose to strike me 
When I reached out for comfort, I flinched instead.  
When I should have felt safest, I lived in dread.  
Your hands were meant to guide, not bruise—  
But they left stories in scars I didn’t choose.

You see that scar on my little finger
 And the one on my ring finger 
And the one beneath my index finger-
They tell a story, that of death that slowly crept in 
Through loneliness, new fears and trust fading away!

C.O.

Oh that repetition gave me chills. Powerful words about pain and betrayal. Thank you for sharing this brave piece.

Kratijah

Thank you so much for the appreciation

Gayle j sands

The intensity, the repetition, the pain. An amazing poem!

Kratijah

The repetition is actually how I felt in that moment when I saw all the cuts, I could not believe it. Thank you.

Angie Braaten

Wow, Kratijah. I also love the repetition. There are so many powerful parts in this poem. The parts that rhyme stand out in a genuine way. I especially love what you did in these:

They witnessed the tears I cried

They witnessed when I could not not open my hand

They witnessed the mockery when I felt like an orphan 

The personification is like a sort of companion when you went through something you shouldn’t have. Thank you for writing and sharing ❤️

Kratijah

Indeed, these scars are companions that remind me of that particular instance and how I have grown stronger out of it. Thank you for encouraging writing ❤️

brcrandall

Thank you, Kratijah, I agree with the others…the repetition pulled me in and helped the heavy grow a little lighter. This, I believe, helps justify the importance of why poetry matters. It helps us to heal and grow stronger. Thanks for the bravery with this (and sharing)

Kratijah

Thank you so much. Totally agree, most of my poems are for cathartic purposes and it indeed strengthens you.

Maureen Y Ingram

I like how you build the story, beginning each stanza with repetition…this drew me in, and scared me, too. Especially the line, “When I should have felt safest, I lived in dread.” What a sad poem. So good that you are able to write into this pain.

Kratijah

Thank you so much.

Gayle j sands

Bryan— your poem is beautiful. The story of the hands, so vivid and true, that description of your son (it glowed!)… I worked through some memories today, but my mind turned to our lives today…

Scars

Who will we be when
they are through? What will survive?
What scars will we bear?

GJ Sands
4-5-25

Kasey D.

I want you to know that I know what you are and are not saying. I also want you to know that I don’t know how large and deep the scar will be, but I know it will be and it will be ours. Thank you for this poem.

brcrandall

I feel all of us, Gayle, are preparing ourselves for the scars ahead. As others have written in this space today, the global scars seem unnecessary. And I imagine all the scars those before us have had to bear. Phew.

Maureen Y Ingram

Three small lines filled with such huge, essential questions. Thank you for this.

Kim

Wow Gayle–what a punch with so few words. Love that ending question.

Glenda Funk

Gayle,
I keep asking this same question. We’re already unrecognizable as a nation to me.

Leilya Pitre

Gayle, your poem asks the questions I also ask myself nowadays. Such a frustrating state, and I feel angry and helpless at the same time. Thank you!

Susie Morice

Gayle — Darned good questions! There is no way we aren’t going to bear serious scars from all this horror. Hang tough, Susie

Barbara Edler

Gayle, your poem resonates with my own questions. Each day there’s another wound. Provocative questions and I’m afraid of the answers.

Sharon Roy

Bryan,

thanks for hosting and inspiring. Love the generational interplay and how you move us from catching your son’s hail mary to

And I catch my father watching me type this poem,

Loved the reflection and grace in this stanza

I have his hands now, these hands,

furrowed by age, work,

& all the mistakes I’ve made.

Scars are a great storytelling prompt. Lots of other possibilities I need to remember to come back to on the days we don’t meet here.

————————————————————-

Hands

my grandfather’s hand smooths the oilcloth on my grandparent’s kitchen table

his index finger is crooked at his first knuckle

the hands of a man who earned his keep by milking cows on a relative’s farm when his family died in the influenza epidemic

the hands of a man who taught himself to be an electrician

the hands of a man who insisted his children be quiet when he got home from work

the hands of a man who stopped drinking by placing his hand on the Bible

the hands of a man who had a cooking certificate from a lumber camp, but never cooked a meal at home

the hands of a man who learned to drive on the backroads from a bootlegger 

the hands of a man who teased his grandchildren, don’t eat the hole in the doughnut

hands that I can still see smoothing the oil cloth as he told me the stories of his life

Gayle j sands

What a wonderful tribute! I feel as if I know him.

brcrandall

I love the recollection here, Sharon, and all that comes from listing details to true to be made up about another human in our lives. You actually triggered another idea for me, thinking about my grandfather’s hands! Congrats on what you did with this prompt. I appreciate you sharing your words.

Leilya Pitre

Sharon, this is such a beautiful poem to honor your grandfather. I “see” him in every line as he “earned his keep by milking cows on a relative’s farm,” or “taught himself to be an electrician,” or “stopped drinking by placing his hand on the Bible.” I, too, think prompts like today’s force us to dig into memories and put them in words, so we are able to save them for our children and grandchildren. Thank you for sharing a story of your grandfather with us today!

Kasey D.

I really hate saying anything 
Which is to say, I don’t like risk.
At the track you are easy
And you are quiet in your sleep. 

I say- I can’t show you.  
There is nothing to see, really
Not a thin ridge bumping my heart 
No line to be explored with fingertips or lips.

I say- here, let me press my wrist to your mouth.
Be as still as a horse-shot waiting. 
I let your lips linger to feel the pulse
I say-  this is the scar.

I shoot forward like a fool. 
Explain it is bloody to this day
Sometimes scabbed over
Sticky with secrets and shame

We scream as I scratch
Your silent skepticism, a scalpel. 
I go back to saying nothing
Hemorrhaging while you snore.

brcrandall

Kasey, As Ruth Stone would say, “this is a poem-poem.” It’s intriguing, clever with the repetition of ‘I say,’ and delicious with the alliteration, “Sometimes scabbed over /
Sticky with secrets and shame.” I’m hooked in all ways and feel fortunate to have read your writing on this Saturday. Thank you.

C.O.

Powerful word choice here. I especially loved “silent skepticism, a scalpel” which says so much. Thank you for sharing this brave piece.

Dave Wooley

Hey all, I wanted to say a quick than you to everyone who responded yesterday to the prompt that I posted–If I didn’t get to your poem yesterday, I got to it this morning. It was a joy to read through all of your wonderful responses. So great to write with you all!

I’ll be back for your prompt in a couple of hours, Bryan. Heading out, and I’ll let this marinate for a bit!

Denise Krebs

Bryan,
Thank you for hosting today and for this wonderful prompt that has me remembering a lot today. I have read your poem several times this morning. You writing of generations with “the skeletal infrastructure inherited from others” is so powerful and important. I love the shout-out to Cat Stevens at the end. Your poem has influenced mine today.

I hold a handful
of scars—literally.
These ones all
on my left hand–
our old dachshund bit
six-year-old me, thinking
I was our aggressive beagle.
(He felt bad afterwards.)
With high school friends, I
attempted to slice a frozen English
muffin for a late-night snack—
but sliced my thumb instead,
(best to wait for the thawing).
The college sleepover mango-cutting
while working on breakfast
for the late sleepers turned out bad,
lots of blood and even fainting
as I watched the blood pour into the sink.
In seventh grade, I sliced off the knuckle
of my thumb, and as a seventh grade
teacher, I sliced off my
index fingernail–those last two
with an X-Acto knife.

Now, along with age spots
and arthritic knuckles,
the scars are hardly visible.
They have settled in
and found a home
on this valued hand,
a home of mercy and
remembering, a home of
gratitude and love.

Kasey D.

Thank you for sharing. I enjoyed all the specific “slices” of this poem and how in the end, hands that have done good in this world, that hold mercy, time, and value, must be scared if not by blades, by time. What a lovely poem you have written today.

Melissa Heaton

I love the transition from scars of youth to age spots. Thanks for sharing your experiences.

brcrandall

Denise…X-Acto knives. My lord, I forgot about those (and your knuckles). Phew. Your hands would entertain an archaeologist for hours with all the stories. I believe I love “a home of mercy” most. We need such grace in the years our hands have massaged, hitchhiked, baked, driven, and braided. But the cuts! Oi Vay!

Sharon Roy

Denise,

I love these reflective lines so much:

They have settled in

and found a home

on this valued hand,

a home of mercy and

remembering, a home of

gratitude and love.

Mercy, remembering, gratitude and love—beautiful.

I also like repetition and anchoring of home.

And the cleverness of

I hold a handful

of scars

which made me smile.

Joanne Emery

I love this, Denise, especially the ending – the valued had, a home of Mercy and remembering. Beautiful,!

Kim

What a handful of scars! I love the way that age has blended the scars, made them at home. (Best to wait for the thawing might be my favorite line of all!)

Gayle j sands

I love your tale of scars—and that positive close! (Age spots are aggressive!)

Glenda Funk

Denise,
First a note to Keith: Keep Denise away from sharp objects.

I did giggle at “(He felt bad afterwards.)” because all dog lovers know this is true. And your catalogue of scars remind me of the scar maps activity I used to do w/ students. I’d show them the myriad scars on my face and tell them stories about each one. I do love the ending and the way you honor all the scars as being at home in your body.

Barb Edler

Denise, ouch to all the various ways you’ve wounded yourself. That classroom X-Acto knife incident probably traumatized a few seventh graders. I love the last stanza and the way you share the power of your hand that provides both gratitude and love. Beautiful!

Leilya Pitre

Denise, I so enjoyed your poem. As you tell about the first two incidents, I also see a story in parenthesis. This is a crafty move. Your ending is so comforting, as your scars
found a home
on this valued hand,
a home of mercy and
remembering, a home of
gratitude and love.”
This a beautiful poem, my friend! Thank you.

Jennifer Kowaczek

Shoulder Repair

Milk in the back of the fridge
can’t reach it, too much pain.
Chiro and PT help,
still no good.
MRI — after two months.
Surgery scheduled.
Two weeks no driving, no work.
Friends get daughter to school.
Lotions to minimize, fade scarring —
I try, but really why make it go away?
This scar represents my strength.

Thank you, Bryan, for this prompt. I want to explore this poem more, get more details in there some how.

Kasey D.

You poem made me think about what I was playing with in my own poem: the visible and invisible scars. I reflect that needing help, to me, feels like a wound I hope to scar over. I will probably need more therapy for that- ha! You are incredibly strong! Thank you for sharing.

Melissa Heaton

I like the line “this scar represents strength.” Thank you.

brcrandall

Jennifer, there’s so much greatness already unraveled (lotions to minimize, fade scarring). I went back to read the title for an additional clue and I am thinking about all the way we ‘shoulder’ responsibilities in our adult lives, often with little time for the scars that made us who we are. Just grabbing the milk, which should be with ease, can be something painfully ‘shoulder’ later in life. I love everything about what might be done with that title. I hope we see more of your explorations.

Heather Morris

I love the last two lines. I think this might have me rethink how I see the scar I wrote about.

Susan O

Garden Scar

A new scar on my hand
lumped near my right thumb
from something I did
that was quite dumb.

In the garden I worked
with a rotary saw
under a plant, cutting metal
that was buried under a petal.
The saw jerked
thrusting my hand
into already cut steel
which I didn’t feel
but blood oozed.
I sped into the house
knew what to do
wasn’t confused.

“Grab the gauze
apply pressure
stem the bleeding!”
To the neighbor I was speeding.
Fingers stained dark red
hand looking like a mummy
“Help!” I was pleading.
while I fixed my thumby

“Jesus!” he cursed,
grabbed his tools and ran
while my wrist I nursed
headed to my yard with a plan. 

He fixed the plant just right
looked good in my sight
so perfect, I eyed
long before I fixed my pride.

Great story, Bryan. I liked the sound of the knuckles cracking. Thanks for the prompt.

Kasey D.

This has such a cute and sporadic rhythm. The end made me smile. It felt like pride was such a silly thing to be in jeopardy, but I too have been victim of saw and silliness and pride. Thank you for sharing!

brcrandall

I believe I’m with your neighbor here, “Jesus” he cursed / grabbed his tools. Yikes. That is a whole other prompt…coming upon an incident where quick action is needed (I’m thinking of the time I slipped out of the bathtub….jeepers the fear of having someone find me unconscious)(and I know others have their variations, too). But the gardening…the seeds, the soil, our blood…all needs for growth and beauty. And poetry as a tool to make sense of it all.

Sarah

Sun & Stars
When Sarah stood at first base
afraid of the toss from third,
when she twirrled in the backfield
unaware she was on a soccer team,
when warming her wet skin during
adult swim under the gaze of guards–
I wonder if she ever imagined Sun
signing rights to her complexion,
tattooing her childhood summers
with an autograph that would one
day reveal a constellation of copper
scars scattered across her cheeks.

Kasey D.

I love the whimsical images of this poem. Everything we do in life leaves a residue, a scar. I wonder if Sarah would change a single thing and find myself hoping, she would not.

Melissa Heaton

Sarah, I really liked “I wonder if she ever imagined Sun signing rights to her complexion.” Excellent image and very relatable.

brcrandall

First of all, Sarah, thanks again for bringing this incredible community together (and for being a champion to all writers and teachers). It truly is magical. I’m loving the lines “a constellation of copper / scars scattered across her cheeks.” The use of personal/3rd person is also a nice move which I’m thinking about for writing in the future…both being and talking about that kid…that person…we used to be. I like the childhood quality that comes from seeing who we once were with the person we apparently are now. I truly appreciate you.

Susie Morice

Oh, Sarah — This is so well crafted…the 3rd person Sarah, out of touch that the TOUCH was scarring her. THis is so relatable…the damage that we wrought on ourselves unwittingly as kids…I’m 2-Mohs-surgery into this reality myself. So I hear ya! My favorite image is the kiddo twirling in the backfield…it just was so dear and and so funny…I could just see that kiddo. “Sun/signing rights”…such a great phrasing! Wonderful poem! Hugs, Susie

Jennifer Kowaczek

What a fun, whimsical way to think of the freckles! Thank you, Sarah, for this wonderful imagery.

Joanne Emery

“Sun signing right to her complexion.” Wow! So incredibly powerful and imaginative.

Gayle j sands

i love the story behind your freckles—I mean stars. A lighthearted walk through your life…

Joanne Emery

Whoa! This is going to be quite a prompt for me. I’m warning everyone. My father died two weeks ago at the age of 99. I carry his scars and the ones he gave me. This is from a longer poem I wrote called “War Victims.”

Invisible Scars

Even many years after the war,Whatever object that happened
to be in my father’s hands
could possibly become a weapon:
A coffee cup, a broom handle, a basketball,
“Don’t you know how to do anything?”
He snapped as he lobbed the ball at my head.
“What the hell is wrong with you?”
I tried to duck, but he was too close to me.
“Stop crying, damn girl, gotta toughen you up,”
And he kept hitting me with that basketball
Bounce….bounce… bounce… bounce…
“Can’t you do anything right?”
My head was ringing,
tears were flowing
I tried to get away from him,
But he followed me
wherever I went.
“Don’t walk away from me!”
he screamed,
And kept bouncing
that damn ball on my head,
“You’re nothing,” he barked,
“You’ll always be nothing.”
I finally ran into the house
and up into my room,
But his words seeped in
and for years I believed him.
My scars, invisible.

Susan O

Oh, that is quite a story. So sorry to hear how you were beaten up by his words and the ball. Your feelings now must be mixed. Sorry to hear about his loss, though. Even though there is a bad memory, there is now a hole in your heart that used to be filled by him.

brcrandall

I believe, Joanne, the invisible scars cut even deeper, and for many of those, it takes a lifetime of growing…thinking…processing…healing…to get to a place we can find meaning. The poem I wrote above started in another direction, about my own son, but then I realized while caring for my father, the whole Sidhartha-thing comes true. Full circles. We are the result of what we were, and sometimes the way that was often cutting. The ‘don’t walk away from me,’ always triggers me, as it’s not walking…it’s protecting. Phew.

Joanne Emery

I feel seen. Thank you, Bryan. The old woman self forgives my dad. The teenage self is still hurt after all these years.

Susie Morice

Oh geez, Joanne — This is so difficult to witness…it is way way way too familiar. I could hear that angry voice, “don’t walk away from me”…damn! My dad and your dad…damn! “Invisible scars”… yes…you carry them, forever emblazones. My heart goes out to you. You are not alone. Hugs, Susie

Joanne Emery

Thank you, Susie. It’s not something I write about often. I usually choose to write about nature and beauty. But I feel like I need to write about this again since my dad just died and we were not speaking for the last four years. Writing helps heal.

Glenda Funk

Joanne,
This is a heartbreaking poem made even more painful with the dialogue and the repetition of ball bouncing the way those words bounce and rebound and reverberate. Even so, a complicated relationship w/ a cruel father does not negate the feelings of loss. I suspect you feel more loss than only the death of your father. I had a similar relationship w/ my mother, but I did not live all my childhood w/ her. I broke her of calling me a “bitch” when I was in college by hanging up on her when she started that nonsense. My brother who lives w/ us bore her insults, and they damaged him in ways I do not discuss publicly or often. Sending you a big hug. I know your heart is tender, and those of us who know you in this space and on TWT are here to help carry your grief in its myriad forms.

Kindra Petersen

I’ve desperately been meaning to post here for so long. I used to participate regularly, and I want to get back into my poetry writing. It’s fitting that this is about scars. I lost my most important uncle in the fall of 2023, and then my grandma passed in March. The loss of my grandma is too fresh for me to attempt, but I’ve been able to look at (and revise) writing on my uncle. I recently heard of a writing/blog/creative site called substack that my coworker, fellow artist, and dear friend introduced me to. I’ll link my post and then include my poem that I revised and ultimately became a fulfilling and happy accident. https://substack.com/@callmeknp/note/p-160597947?utm_source=notes-share-action&r=5gvwlr

all i have are memories
i think of you as
Carmex kisses
resting
on my cheek
i play your voicemail on repeat;
to revel hearing your speech
Often i did mow your lawn
l
o
n
g
and rectangular
starting at the deck
dilapidated warping wood
housing wasps
s
p.
o r a
d. i
c a l l y.
i never noticed the initial sting.
“I love you Pumpkin”
but i’m no gourd
You
are Carmex kisses
form oil
fresh cut grass
buzzing wasps
8th street hill
red truck washed with dust
“Just down here with Mommy”
but now 

454474754_10221266150323326_2642989532702043248_n
Kasey D.

The images of the poem are so stark and the choice of form on the words long and sporadically creatively layer the poem with emotions that would be hard to express otherwise, and not nearly as fun. This poem is at once fresh, fun, and yet I feel the grief and longing.

brcrandall

I have to say, I love what you did with ‘sporadically.’ WOW. That was clever. Memories are all we have, indeed. Sorry about the losses, and the scars that result. I’m intrigued by the ‘red truck washed in dust’. That was another great image. Thanks for sharing today.

Kindra Petersen

Loss is hard, but I do think that grief gives us purpose. I also believe in signs and everything happening for a reason. I wish the pwople we love could be propelled by that emotion solely.

Yarrow Sophina

The truth

The straight white raised scar that runs down the tender side of my left wrist
is not what she thinks it is,
As her eyes open wide at the glance, fill with pity, alarm, and concern.
“Oh no- I’m fine- I got this in a fight with my little sisters, years ago. She had fingernails like talons,” and relieve her with a smile.
The truth.
My scars from almost suicide are not on the outside.
Instead of white raised lines they are slippery dark slopes and tight ropes that run through the recesses of my mind, and they are not dead and healed, they are alive– sometimes avoidable, sometimes catching me by surprise.
When I slip and slide, onlyconfidence.
unless I choose
to confide.
The truth.
Using my voice keeps me alive. Admitting to myself and others that I sometimes live in dark places, and sometimes Death tries to call himself Home keeps me anchored to the light, relieves me: sometimes it is alright to not be alright.
The truth.
The moon also rises, and so will I.

Kasey D.

Thank you for so bravely sharing this. It makes me contemplate the truths we choose to tell and choose to believe. I particularly am draw to the images of tight ropes and the duplicity of the word “recesses” alongside the other playground imagery. Lovely poem.

brcrandall

Yarrow, the life thing with joy (but also with sorrow). I loved the line, “She had fingernails like talons,” as I wasn’t expecting that, but feel as a brother of sisters, I’ve felt such hooks in my own skin. Thank you for standing strong with your words and trusting us enough to take part in them. The sun. The moon. The cycles. That is where hope weaves her galaxies.

Susan

Yarrow,
This entire thing is so powerful and brave; this contrast really works:

Instead of white raised lines they are slippery dark slopes and tight ropes that run through the recesses of my mind,

Sheila Benson

Above my right eyebrow edge,
Not quite above my nose but also not quite above my eyebrow,
I have an inch-long vertical scar
Basically in the same spot as Harry Potter’s lightning bolt.

Except mine didn’t grant me wizarding world notoriety,
And I didn’t vanquish Voldemort.
I just hit my head against the car window in an ice storm spin-out.

I also have a tiny scar in the crease of my right eyelid
from the same accident.
My French completely vanishing from my brain as a Quebecois policeman asked me
if I was okay.
Good thing he was bilingual.

As the ER doctor carefully stitched my eyelid injury,
I asked him what he most loved about being a doctor.
His response: “I don’t like it.”
Um . . . can you at least like what you’re doing enough to stitch my eyelid without blinding me?

My face healed, and so did my broken collarbone.
But every time there’s ice rain, something inside me freezes up.
I survived that accident, but do I dare put myself where I might have another?

Sheila Benson

Whew, that went kind of dark . . .

Susan O

I can’t imagine a doctor feeling that way about what he is doing. He must have been really getting burned out by the ER. Life is so strange with its twists and turns.

brcrandall

The line, “every time there’s ice rain, something inside me freezes up,” is simply wonderful. I have a sister who spun out in heavy rain and, in many ways, her entire body is a scar from that accident. Phew. Thanks for marking your story…it wasn’t Voldemort, but it was the harsher energies of the universe that marked you. I appreciate your contribution!

Leilya Pitre

Sheila, I smiled reading: “Except mine didn’t grant me wizarding world notoriety, /And I didn’t vanquish Voldemort.” But then I learned about how you got your scar, and it is scary (ups, an unintended pun-allograph). That doctor though doesn’t sound too comforting.

Stefani B

Bryan, thank you for hosting today and sharing this piece of your life with us.

they say women giving birth
tend to be the healthiest patients
tend to cry more tears of happiness
until they don’t, until scars are created
to save a life or two
then you are tending to the incisions
transfusions, no colostrum
leaving a physical-emotional embroidery 
until the tender memory of that line
re-opened for another new life
a lifetime of healing, parenting, scaring
loving scars

Jennifer Kowaczek

This is a beautiful poem! I could write something similar.
my favorite lines,

“until the tender memory of that line/ re-opened for another new life”

thank you for sharing.

Stefani, Thank you for this poem. So many of my educator friends are mothers, and thinking about then in this way as “healthiest patient” and why that is and then as “until scars” that don’t go away and then as birth embroidered. The telling of a mother’s lifetime written. Beautiful.

brcrandall

Stefani, Growing up in a house of women. Being in a profession that has predominantly been women. And then having my own house of testosterone, I can attest over and over again, that women carry the majority of scars. I loved the wording, “a physical-emotional embroidery,” which is totally how I would describe my own mother, my sisters, and many of my friends. I love the emotional muscle you put into your work…or should it be muscular emotion…I love what you write here. Applause.

Joanne Emery

So beautiful, Stefani. Thank you.

Kate Sjostrom

What a rich, layered poem, Bryan. Thank you. Here’s my scar poem:

My daughter and I have the same scar
at the corner of our left eye
shaped like the sign for perpendicular lines
but upside down.

Only now have we begun to cross each other,
these months before she leaves for college.
I know this is as it should be: a readying
to be apart.

I don’t remember getting my scar,
but I remember her topple from couch 
into the sharp corner of tabletop,
remember how she clung to me 
as my husband cleaned the cut,
remember how I held her long past 
when the bleeding had stopped, 
until she wriggled her way 
out of my arms
to play.
 

Sheila Benson

Oh, Kate, that last image really got me. Such a beautiful juxtaposition with your daughter getting ready to leave the nest.

Kate, thank you for your poem of tandem and maybe tethered scars. Seems the daughter in this poem is wriggling her way again to play, literally the music, again.

Kate Sjostrom

Haha—–yes, she is!

Kindra Petersen

The phrase “shaped like the sign for perpendicular lines / but upside down” stuck out to me. I think Sheila’s comment made me connect those lines to the concept of getting ready to leave the nest. I remember leaving my own mom, and my world felt upside down. I value the description of upside down instead of just “it’s a T”. I also agree with the dichotomy of present to past the poem illicits a feeling of “upside down” as our emotions can be top heavy and take us into thin lines of memory. It’s reverse chronological which also reinforces the feeling of your world turning upside down as you remember and reconcile. I could continue to say so much more, but I think this is a beautiful poem. It made me feel those pre-college memories with my own mom, and I thank you for that.

Wishing you all the best as this next journey begins.

Kate Sjostrom

Yes, as my daughter’s departure looms, I find myself thinking more and more of the closeness of those early years. Thanks for reminding me that my daughter is feeling it, too.

brcrandall

Kate, this seems to be the perfect time to write this poem and there are parallels of mother/daughter with father/son in what I sketched as the prompt. I call the senior year the umbilical chord year, where kids often will bring it back out to strangle those who love them most (it’s all developmental). “she wriggled her way. / out of my arms / to play.” And then they leave (and return) and leave (and return) and leave (and return). Here’s to all the life lessons we never knew when “Mama told us there’d be days like this.” thanks for contributing your poem today.

Leilya Pitre

Kate, it is interesting how memory brings back those incidents from life that are somehow connected to present, and your poem proves this trick. It is so hard to let children go, and I also had to do it… twice. So I see the parallels with the time when she needed you the most, but would leave when she felt safer to “wriggle[d] her way.” Thank you for this poem today.

Leilya Pitre

Bryan, thank you for hosting today. Your prompt is so thoughtful, engaging, and opens up opportunities to write from heart. I am in love with the lines about your son “who has always know/ how to catch God’s light / just right…” So beautiful.
When I read your prompt early this morning, I thought about my life scars that seemed quite painful and important, and then… I started a day with the news from home.
This piece is dedicated to all scarred childhoods, to the children who carry the unimaginable, and to those of us who must bear witness.
 
Scars the Size of Countries
for the children who survive and those who don’t

There is a scar the size of Ukraine
etched in every child’s chest—
a country-sized wound
carved by steel and smoke,
left by russian missiles
that don’t discriminate.
 
Yesterday, in Kryvyi Rih,
a playground turned into silence.
Nine children vanished
into numbers,
and the living now carry
names of the lost loved ones
like broken toys clutched in sleep.
 
Ukraine is not alone.
 
There are scars stitched
into the skin of Sudanese children,
into the eyes of the young
in Gaza and Israel,
in Armenia, Yemen, Syria—
names whispered
under falling skies.
 
They run barefoot
on lands mined with sorrow,
hiding in shadows,
learning too soon
what no child should ever learn:
how to mourn with a heartbeat
still inside their chest.
 
There are about twenty-four wars
scarring this planet—
not marked by borders
but by cries in the dark.
 
And children—
they bleed quietly.
They draw war
with crayons,
dream of home
that no longer stands.
 
These are not paper cuts.
No Band-Aid, no gauze
can soften the blow
or undo
what is now part
of their becoming.
 
These are lifetime scars,
invisible tattoos of terror,
passed like heirlooms
through generations.
Who can erase
the echo of air-raid sirens
from the strands of DNA?
 
Our world is not just broken—
it is blatantly bruised,
brutally battered,
forever scarred.
And it is the smallest hearts
that carry the heaviest weight.

Sheila Benson

Oh, Leilya. I am so teary after reading your gorgeous, powerful poem. So many zinger lines. That whole first stanza– especially the first two lines. And the image of children running “on lines mined with sorrow.” Wow.

Angie Braaten

Oh Leilya, there aren’t really words for what you have written here. With your permission, I will share this poem with my students. They are about to start a poetry project/campaign about why war should not be happening in the 21st century, inspired by poems spanning from WWI to today. I lingered on these:

They draw war

with crayons,

dream of home

that no longer stands.

It blends their innocence with a loss of innocence well. It also makes me think how the cycle could continue because they are made to do these things now.

Leilya Pitre

Thank you, Angie! Please, share it with your students. I want them to know that wars are real today too, and sadly, children are caught in the midst.

Leilya, your poem is a perfect example of how poetry can make an argument. How you offer such evidence, such irrefutable witnessing leading toward the final stanza that “smallest hearts” indeed “carry the heaviest weight.”

Ann Burg

Leila! This poem should be posted on every human heart. You have captured war, captured its pain and loss loss as no other war poem that I’ve ever read. I will hold these images in my heart forever.

Ann Burg

Oops! Sorry I spelled your name wrong. My grandson distracted me.

Leilya Pitre

Thank you so much, Ann! This poem drained my energy for the day. I’ve been crying since early morning.

Ann Burg

I returned to reread this poem and to tell you that I’ve been holding it in my heart all day. If only tears could cleanse our wounded earth. If only starlight lead the way to peace…

Jennifer Guyor Jowett

Leilya, I am ending your poem with tears in my eyes. You’ve woven the scars into the children completely, stitched to heartbeats mourning inside their chests and tattooed heirlooms passed along strands of DNA. This is a powerful poem. A remarkable poem. Written by someone who is herself stitched to those most directly affected. Every stanza has a heartbreaking image as potent as the last. I feel for those smallest hearts. Thank you for shining a light onto what so many dismiss. Well done, my friend. Hugs.

Susie Morice

Leilya — Oh my gosh, this is a poem that should be sent to our so-called leaders, recited in Pentagon and parallel war rooms before every gathering of those numb to the children. You have captured the most godawful narrative…that of the children…we never get to learn their words as they are silenced, broken, deemed collateral damage by the monsters who think their lives are worth the “bottom line.” Gosh darn, this is a powerful, magnificent poem. Send this to your rep. Send it to the frikkiin’ White House, so ready they are to start taking, taking, taking as if they had any right to blow away borders and take, take, take the homes of children in the name of “shipping lines” and industrial resources…greed. This is a poem that will stay with me forever. Thank you for your powerful words. Susie

brcrandall

Leilya, this may be my favorite poem I’ve ever read from you. It is felt. It is real. It pushes like it should. And it is needed (and deserves to be shared with others). It’s always been hard for me an an American, as a teacher, to listen to 1st world problems, when so many children are never given the opportunities afforded our Western world. I remember the first time I took a group of Sudanese boys to see fireworks. They ran back to the car to hide. “Bombs bursting in air,” triggered childhoods. Phew. The smallest hearts DO carry the heaviest weight. I thank you for your poem today…a gift to us all.

Susan

Leilya,
The world is indeed so broken, but most of us take an occasional, surface-level interest while this is a part of you. I think about you a lot.
The poem is powerful in general but this image really gets me:

invisible tattoos of terror,

Gayle j sands

Leila—harsh truths, given to us with beautiful clarity. This should be read by everyone!

Kim Johnson

Leilya, the pain is so real. Your last line of the tiniest hearts carrying the heaviest weights is just so raw and true. Why does our world have to have so much evil and destruction?? It saddens me, and my heart goes out to you, and to all in Ukraine.

Glenda Funk

Leilya,
This poem is brilliant. It deserves a wide audience. I implore you to send it to the New Yorker and to every publication you can find. It is that good. The lines cataloguing all the wars should smack every reader out of complacency. These lines are heartbreaking:
“They draw war
with crayons,”
And the ending is poignant:
“And it is the smallest hearts
that carry the heaviest weight.”
Sending you love and peace, my friend.

Leilya Pitre

Thank you so much, Glenda! It means so much to me.

Barb Edler

Leilya, your poem is incredibly moving. I’m trying to respond through tears. Your poem is rich with powerful images and a myriad of details to show the terror of war that those “smallest hearts” suffer the greatest from. I loved this striking, hard-hitting stanza:
There are about twenty-four wars
scarring this planet—
not marked by borders
but by cries in the dark.

I think you should publish this everywhere. Your truth matters, and I am so sorry so many children have lost their lives from russian missiles that don’t discriminate. Thank you for sharing this amazing poem with us today! Kudos!

Erica J

Thank you for this prompt today! It was fun to brain storm and sketch out this poem about a scar on my arm that is quite the “dumb teen does dumb thing” story. Between your own poem and my own I got to wondering how many of us have scars because of our hobbies and past times — even if they weren’t sports related! Because while I wrote about theater, I could have easily written about the baking-related scar I have on my arm as well.

Strutting & Fretting Upon the Stage by Erica J
I sometimes miss
playing the part of a fighter,
when I am decidedly not,
that was the magic of theater.

The sword in my hand
had no business being there —
just shy of being blunt
but it was the coolest prop!

And suddenly we were warriors or
we were samurai or pirates or
a couple of dumb teenagers
with access to swords and
too many movies and books
and video games and bad ideas.

What did you think was going to happen?

A jab, a strike, a slash and
then so much blood —
unstaged and yet unbothered
because we staunch it with
flimsy paper playing the part of a bandage,
when it is decidedly not: it absorbs nothing
just like a teenager.

The show goes on and
years later that thin, pale notch
is my small reminder. All that remains
of the blood shed upon the stage.

Kate Sjostrom

I love the stab of a one-sentence stanza “What did you think was going to happen?” There and with this line break—”it absorbs nothing / just like a teenager”—such voice! And I love the diction, the quickness, of “A jab, a strike, a slash” and then “unstaged.” Bravo!

Leilya Pitre

Erica, your poem reminds me of my childhood games and adventures, climbing and falling from the trees, jumping from the second floor of a construction, and playing with all kinds of props for weapons. I like the pacing and dynamic of your poem that moves us as quickly as the games you were playing. This made me smile too, as I remember doing it myself: “we staunch it with / flimsy paper playing the part of a bandage” Thank you.

Sheila Benson

“it absorbs nothing/ just like a teenager”– best lines ever!

Erica, thank you for this narrative poem of “unstaged” strikes that do not delay the present “show goes on” nor the life after, which remembers in a “notch.” Great word choice throughout.

Jennifer Kowaczek

This was a fun poem to read!
thank you for sharing. I like how you make the comparison to teens.

brcrandall

There’s something magical about the lines, “And suddenly we were warriors or /
we were samurai or pirates.” That ‘suddenly’ sparks so much imagination and transformation. Wonderful wording and play with the title, too. I’ve written about many scars, and was actually surprised by how a crooked finger led me to where I ended up. Ah, but poetry heals and I appreciate you sharing with all of us.

Heather Morris

My theater students do think swords are the best props. I can totally see this scene in my head, and it makes me think of the few, thankfully, scars that may have occurred during my years directing middle school theater

Sharon Roy

Erica,

Love the wit and humor of these lines:

flimsy paper playing the part of a bandage,

when it is decidedly not: it absorbs nothing

just like a teenager.

Great mix of action, nostalgia, and humor.

Melissa Heaton

Sometimes emotional scars take longer to heal and the ability to see the positive side. This one is kind of heavy. Sorry.

All that Remains

Alone with my thoughts
I cringe and fall helplessly
Into the abyss of self loathing
Negativity strangles my hope
And leaves a broken heap on the floor
No one hears my cries
As I pick up the shards of
All the remains of me.

Last edited 3 days ago by foxswiftlyf516eccfbb
C.O.

Oof. Powerful and relatable. And the pain of those comes back in waves in different ways than healing a physical wound. Thank you for the bravery in sharing this. Hugs.

Tammi Belko

Melissa,
Wow, these lines really got me:
“No one hears my cries
As I puck up the shards of
All the remains of me”

Emotional pain is devastating.

Leilya Pitre

Melissa, thank you so much for your poem. We come here to share, and this prompt calls for it directly. sometimes |the abyss of self loathing” is a necessary stage to process emotional pain. I love your word choices in this poem that indicate pain: abyss, strangle, cries, shards, remains. They work perfectly to deliver the message.

Yarrow Sophina

Same.
Love the lines broken heal in the floor paired with picking up the shards of me…because the cleanup also involves pain.

brcrandall

Melissa…the abyss is full of much more than darkness…in the crevices are the layers of hope, possibility, color, and story. Too often it lies to us about who we actually are. Poetry helps us to better find the ladder. Thank you for sharing your words with us today.

Ann Burg

Bryan ~ I love, love love this poem. My favorite line might be the patriot who knew how to catch God’s light, just right. I also love your description of your father…everything in the poem so balanced…so perfect!

The ragged line across
her toddler face
from the iron tail
of the rocking horse
that held the door open for her
to toddle through on wobbly legs;

the homemade dimple
in her toddler cheek
impaled on a pen
racing to join the purple dinosaur
who cheerfully drown my admonition
don’t run with a pen in your hand;

left marks that faded
but did not disappear.

The distain that pummeled me,
the life that discarded me

left no visible marks

but

an unkind word,
a fleeting scowl,
and I feel the pull of thread 
from a heart restitched;

a broken trust,
a friendship betrayed,
and I tumble backwards
into a threatening abyss.

Whether visible or invisible,
I suppose it’s the way of scars
to hold the moments
that remind us

we survived.

Susan

This is all so vivid, but this stanza is simply wow:

an unkind word,

a fleeting scowl,

and I feel the pull of thread 

from a heart restitched;

Its rhythm and imagery are so powerful, but it’s the whole idea of things that open old wounds that packs the power!

Erica J

At first I was simply amazed at your juxtaposition of the innocent child and the brutality of the injuries. Then I kept reading and fell in love with the exploration of the invisible scars as well which were somehow worse. I especially appreciate how you end the poem and I love that final line! Thank you for that reminder.

Tammi Belko

Ann ,

I love the vivid story you tell through your verse and the movement from physical scars to emotional. Your ending is perfect!

Leilya Pitre

Ann, your poem touches on the most important about scars:

“Whether visible or invisible,
I suppose it’s the way of scars
to hold the moments
that remind us

we survived.”
There is so much that goes into these words and makes me think of how lucky I am. Thank you, Ann!

brcrandall

Ann, we survive. We survive. The rocking horse wobbling. Those purple dinosaurs. The moments that leave no visible marks but cut the deepest. In the end, it’s about survival and finding the meaning to support others trying to do the same. It’s funny how a poem about my son turned into a poem about me and my dad. It’s all therapy. Words. Meaning. the threads keeping our hearts tied together.

Anna J. Small ROSEBORO

Bryan, thanks for inviting us to write about scars and considering how they can seed positive results. For my poem, I crunched time: the scar is real the incident with teacher is real, and I started taking cello lesson when I got kicked out of class, so I combined three incidents that really occurred. See the photo?

From Temper to Tempo

The burn scars on my right hand
Got me expelled from English class
When I wrote my homework with my left hand
That teacher accused me of being sloppy

When I tried to explain in hopes to gain
Her understanding and approval
She didn’t believe me. I responded without tack.
She smacked me and I swatted her back.

Not allowed to return to class for weeks,
No, not for the healing of my cheeks
But for disrespecting an adult
I got to take cello lessons. Want to hear my confession?
That music-making got me through.

When I look at the scars on my right hand
I remember days in orchestra, not the band.
Before, in class, I couldn’t keep my temper
To stay in the new group, I had to stay in tempo.

Who knows where scars will lead us?
For me it was out of class for being a sassy lass
Not into the band where I could stand
But to the back of the orchestra in high school.
And there I stood playing bass fiddle, looking cool!

Playing-Bass-Fiddle-4-April-2025
C.O.

Who knows where scars will lead us – love that line and totally resonate. An injury in college led me away from a bad group of friends, and despite that pain, it was meant to be. Thank you for this thought provoking “pick your own adventure” type outcome of your own scars. Thanks for sharing.

Angie Braaten

Wow what a story. I can’t believe that teacher. But the question of where scars lead us…yes that is profound. Thanks for sharing! I always regret never learning an instrument.

Erica J

I can appreciate the fondness for the scars and I really enjoy reading this poem about a scar that brought you to a hobby/interest that might not have existed otherwise!

Tammi Belko

Anna,
What a horrible teacher! I’m so happy to hear you found joy and healing in music!

Leilya Pitre

Anna, I read your poem and then stumbled upon “That music-making got me through.” Isn’t it interesting how a negative experience almost always leads to something good? At least, in your poem, and in my life, I can see it happening. I love and appreciate the title of your poem after reading it. And yes, you did look cool playing bass fiddle. Thank you!

Sheila Benson

I love the temper/tempo near rhymes! Do you still play bass? Such a cool instrument!

Anna J. Small ROSEBORO

Yes, Sheila, I really played bass fiddle in high school. In middle school, where I started with cello, the instruments were loaned and I could roll it home to practice. In high school, we had to rent instruments and take private lessons. I had no money for either, but having learned to read the F clef and to finger the strings, it was not a difficult slip over and back to bass fiddle.

brcrandall

I’m glad you found the bass as that photo is stunning. I’m mesmerized by your first two lines, “The burn scars on my right hand / Got me expelled from English class” Talk about gripping & setting the tempo quickly. Yes, your scars are what got you this far!

Sharon Roy

Anna,

So glad that

That music-making got me through.

I like this line of inquiry:

Who knows where scars will lead us?

Susie Morice

SCAR

A sunny summer morning, chasing
after my long-legged brother,
wanting to play with him,
ask him endless questions,
he, so tall, so smart;
he knew how to do things,
make things;
I just wanted to be with him.

Teenage boy
and first-grade sister— 
I didn’t quite get
the “pest” factor.

Joey, on one side 
of the big grape arbor,
me trying to keep up on the other side,
he picked up a big clump from the garden,
no idea it had a rock inside the packed dirt,
hurled it 
over the top of the arbor vines.

The rock, like a missile
hit hard, knocking me flat
on the cultivated dirt 
along the mounds of squash,
blood spewing through my yellow hair,
down my face.

I don’t remember screaming,
but Joey panicked, 
hollering
through his tears, 
“I didn’t mean it! Oh, Susie!”

Mama flew out the back screen door,
her worn cotton apron tied around her waist;
they hovered over me,
Mama yanked her apron, 
pressing it against my head.

Joey scooped me up,
carried me, 
he and Mama loping 
back to the kitchen
where Mama poured hot water 
from the teakettle, 
she always kept hot 
on the black iron stove,
and into the white enameled pan,
the one with the red stripe at the rim;

swabbing my head,
wiping blood out of my hair,
she stanched the bleeding.

Mama had a way
of making everything okay;
it was her calm;
I think five kids 
on a farm in the middle of nowhere
maybe does that to a woman.

A small ridge
I notice sometimes 
in the mornings
when I wash my hair;
it brings a smile,
a brother lost a few years back,
Mama almost forty years gone,
it’s like they are still here,
scars: 
little gifts
on a Saturday morning.

by Susie Morice, April 5, 2025©

C.O.

Funny, I also have a scar from my much older brother “watching me”- but I love how you have used it as a little gift and memory of those gone. That’s really sweet. From pain to memories frozen in time. Lovely. Thanks for sharing this.

Susan O

Wonderful how a scar can keep good memories (little gifts) around as well as the event of scarring.

Ann Burg

Susie, this is beautiful. I was right there with you, having an older brother only two years older but seemingly perfect in every way…you’ve captured both the moment and the essence of your scar as one of life’s gift’s. This poem is exquisite.

Sheila Benson

Man, these poems today are making me cry! I have a scar over my left eyebrow from my brother opening a door into my head while we were playing hide and seek. My brother, too, is gone, but the scar makes me remember him.

brcrandall

Wow, Susie. It’s the last lines, “little gifts / on a Saturday morning,” that has me rethinking the poem again and again…how a rock is a gift of who we once were…a scar from yesterday. And what a story to go with it. I think in some ways, we all know this mom…your mom, and 40 years later she is with us now.

Joanne Emery

Wow, Susie, I love how your scar becomes a good, sweet thing, a thing to hold memories. Your images are so clear. I felt like I was right there with you.

Sharon Roy

Susie,

Your last stanza moved me to tears. How beautiful to view your scar as a connection to your mom and brother, keeping them a tactile presence in your life.

Thank you for sharing this lovely poem.

A small ridge

I notice sometimes 

in the mornings

when I wash my hair;

it brings a smile,

a brother lost a few years back,

Mama almost forty years gone,

it’s like they are still here,

scars: 

little gifts

on a Saturday morning.

Leilya Pitre

Susie, thank you for telling this story of your scar. When would you write it down if not for today’s prompt? The memories your share are priceless. I teared up at this one: “Mama had a way / of making everything okay;” my mom was the same. Then your ending intensified this longing: “scars: / little gifts / on a Saturday morning.” They are, aren’t they?

Kim Johnson

Susie, who knew a scar could be such a portal to the past?! Your brother I’m sure felt so terrible. Can you imagine the realization of the rock? I feel bad for both of you. I’m glad your mom knew how to remain calm and treat the wound – there is something about farming folks – they just know what to do. I’m glad you’re okay! It didn’t scar your creative art streak!

Glenda Funk

Susie,
When I realized you were telling a mama story my heart felt lighter because I knew this would be a story of tender care and love. Those last lines evoking sweet memories you physically carry and can touch are a treasure:
scars: 
little gifts
on a Saturday morning.”
Thank you, friend, for this little gift of poetry.

Lainie Levin

Susie, what visceral imagery you’ve brought me today. What a gift. As the youngest of four kids, I followed (ok, pestered) my siblings all the time. And I don’t know how they put up with me. But the way you describe the change in your brother after throwing the rock: from frustrated sibling to helper, protector. It says everything it needs to say about the love your brother had for you.

I lost my brother several years back as well, and my mom more recently. It leaves scars (yes, they are gifts) of a different kind…

Barb Edler

Susie, I love your narrative poem and how you share the story of how you got the scar and how your brother and mother reacted. I understand the desire to be with an older sibling, and I could feel the guilt your brother was feeling. Your poignant final stanza is rife with emotion. It’s interesting how scars connect us to family memories and surely are “little gifts/on a Saturday morning” Truly lovely poem. Thank you!

Scott M

Susie, this is truly beautiful! I love how this “small ridge” can bring your brother and Mama back. I absolutely agree with you: scars (and poems) are such keepers of memories!

Jennifer Guyor Jowett

Bryan, what a compelling prompt. Your poem resonates and calls to mind my own father’s gnarled hands, bent and twisted fingers, stiffened joints. Hands tell such stories. I’m glad you told us yours.

The Body Scarred

this body has healed
a thousand times over
skin thickening
(thin sickening)
in a river delta of 
tissue-filling gaps
and emotion-spackled cracks
spread across a living landscape
(irregular seepings)
in the patterns of starry skies
and neural synapses
fired rapidly
in bruising words
and cutting remarks
sliced
diced
minced
served up for entertainment
(a platter of pain)
bought for cheap laughs
a severance pay
yet this body has touched 
the finger of God
is a blazing starbirth tapestry
a stellar forging
a thousand times over
this body has healed

C.O.

Powerful. I especially love the spackle you used to fill the cracks, that was so lovely. Great visuals here. And pain. Thank you for sharing this raw look at scars and healing.

Susie Morice

Oooo, Jennifer — This is a power-packed poem. I love your word choices (always I love your word choices!) and how you move between literal scars and the emotional scars that wrack a body. So many lines are favorites here! “…severance pay” really was a great swipe at the hurt…”sliced/diced/minced” fits the sting of hurts… “platter of pain”. Love the alliteration. The healing at the end…that fits the “tapestry” so well. This is really a tender poem, honest survey of the “slings and arrows” that come with just being here and surviving. I really love this piece! Thank you, Susie

Ann Burg

Wow! Jennifer, this is so powerful…wow…I’m trying to find a favorite phrase but would only end up printing the whole poem..I know how bruising words can be and yet your body has touched the finger of God.. this poem is absolutely beautiful. Ok…I read again and I a going to pick a favorite … a blazing starbirth tapestry…wow…

Sheila Benson

“yet this body has touched/ the finger of God”– those lines are so powerful!

brcrandall

There’s so much to love with this, Jennifer. The word play, “skin thickening /
(thin sickening)” and rhythm, “tissue-filling gaps / and emotion-spackled cracks.” I love reading poems for their sounds, which this poems demanded of me. Wonderful. Phew. “Starbirth tapestry.” Love all you offered today (this morning). Appreciate you.

Joanne Emery

Jennifer, you show both the deep pain and your healing power. I loved most: “yet this body has touched the finger of God.”

C.O.

Oh this prompt took me in so many directions. But I’ve chosen to write about a big scary scar across a belly:

tracks

Allllll aboard!!!!
Yell the conductors,
my dad punches his ticket.
We embrace at the station and for the first time,
I show him the tears I’ve been hiding. 
My fears over this trip.
Just the first trip of many more trips.
He squeezes my hand and says, “it’ll be ok,” perhaps convincing himself, too. 
My mom and I take our own luggage to the next platform.
We pretend we are fine with waiting.
And delays.
And complications. 
And waiting. 

Chugga chugga choo choo
40 staples like railroad tracks
zipper across his abdomen
like a suitcase stuffed too full.
Hours go by and he has finally arrived.
When we can see him at his new station
he looks older.
The trip took it out of him,
he needs rest.
But as with most trips,
he was given more life.

And he will always buy a ticket for that. 

Jennifer Guyor Jowett

So many powerful lines here–”it’ll be ok,” perhaps convincing himself, too; 40 staples like railroad tracks; zipper across his abdomen like a suitcase stuffed too full. And I love that last line showing the strength your father has.

Susie Morice

C.O. — Oh my gosh, this is such a description! Your dad with a “zipper aross his abdomen”… oh lordy, that is some wicked stuff right there. The train and and “squeezes my hand” gives such a loving image. I love how you crafted the train and the surgery…oooph! Ouch! Keep on buying those tickets! Thank you, Susie

Kate Sjostrom

Wow. “40 staples like railroad tracks / zipper across his abdomen / like a suitcase stuffed too full”! All that train and surgery diction criss-crossing so perfectly in the final stanza!

brcrandall

I was drawn to the stanza that begins,
Chugga chugga choo choo
40 staples like railroad tracks
zipper across his abdomen

like a suitcase stuffed too full.

First, students of yesteryear pulled me into the debate of whether it should be two ‘chuggas’ before the ‘Choo choo’ or four! Never realized there was controversy there. Then the “40 staples” across the abdomen, aligned with railroad tracks. Nice. Thanks for sharing with all of us, C.O. (also, clever cross out of the title, too).

Lainie Levin

What a beautifully crafted metaphor. I’ve watched my parents take that “trip” – especially my mother – you’ve captured how it feels: the fear and anticipation, the waiting, and the change I saw in her after each one.

“We pretend we are all fine with waiting.”

that one HIT.

Margaret Simon

Brian, Thanks for this prompt. Your poem tells more than the same old story. It’s a history of becoming who you want to be. Wonderful prompt. I dropped the ball yesterday because I forgot that I had given the monthly challenge for my writing group to write a shadorma poem. So today I tried to combine your prompt with that form. Syllable count of 3, 5, 3, 3, 7, 5.

Virus

weary soul
invisible scars
tenderly
heal in time
slowly becoming new skin
touched by cleansing light.

Kim Johnson

Margaret, I’m jotting down this form – I saw you were working on these for Poetry Friday and it intrigues me so much. I love the short forms, and you have taught me so many of them like that one that starts with a Z that I can never remember but caught the fever and wrote a bunch of them on a trip to Kentucky. I like how your poem today goes from weary soul to healing and cleansed by light. Beautiful! Let’s carve out some writing time this coming week – – to sip tea and write. I’ll bring the tea.

Jennifer Guyor Jowett

Margaret, these short, concise forms create such beautiful imagery and yours holds just that, along with movement from weariness to cleansing–I can feel it forming, transitioning, can see it in the light. Hugs to you for coming through the last illness and touching us again with the light of your words!

brcrandall

I think often of new skin, Margaret, as my mother used to buy a product called NuSkin to heal hangnails. It always weirded me out that a skin was forming where skin disappeared. Ah, but all heals in time which is the heart of your morning poem. Thank you.

Joanne Emery

Margaret, I never heard of the shadorma form. I like how the sparse form leads to powerful word: weary, tenderly, being, cleansing.

Leilya Pitre

Margaret, thank you for introducing this new form. I love writing poems that have syllable counts. They force me to choose every word carefully to say what I want. You packed so much imagery in so few words. Love the hope at the end of your poem with a new skin and “cleansing light.”

Fran Haley

Ah, Bryan – every scar has a story, and yours is beautifully told here. The images are so clear: the ball spiraling, the catch. Then the cracked knuckle (my stomach did a turn at that). So many gorgeous poetic observations, too – after the Hail Mary pass, the knowing “how to catch God’s light/just right” – and the inherited genes reflected in the hands, marked by “all the mistakes I’ve made” – just wow. I must say that your last lines fill me with joy for many reasons…my musician son hated playing sports and used to tell his Dad, former college basketball player: “Sports can kill you.” I loved every gorgeous line here. Thank you for being the amazing inspiration you always are.

I tried to think of a better title for mine and couldn’t. So here we are…

The Scar

It’s our third date
we are at dinner
when I first notice
the scar
at the base
of his throat 

—You had a tracheotomy?

He is surprised

—You know about tracheotomies?

I do not tell him I’ve heard
of people recovering from
cancer surgery smoking cigarettes 
in their tracheostomas

—I read a lot. What happened to you?

He was four.
Acute bronchitis.
His mother called
the retired doctor
next door, who, upon
hearing the ragged breathing,
wrapped him in a blanket:
We have to get him
to the hospital
NOW

The trach was done

after surgery his fever spiked
to 108 

the doctors told his mother
to send for her husband
because

their boy
their beautiful boy

might not make it

His father, master sergeant
away at Army training
was flown home
where a police escort
met him at the airport

to get him to his boy 
in time…

—My mother stayed by my bed
and prayed

the doctors packed me in ice
and kept me in an oxygen tent

they said if I lived,
I might have permanent
brain damage

and they never sewed up the trach hole
they just pulled up the skin and
wrapped a rubber band around it
until it healed

so that is why I have the scar.

And I think
it is beautiful

that he is beautiful

and many years later,
we laugh
when our children say
Are you SURE
you don’t have
permanent brain damage,
Dad?!

Angie Braaten

Wow, what a poem, what a story. I love the repetition of beautiful moving from the parents’ thoughts to your thoughts and the irony at the end ❤️

Linda Mitchell

Fran, that is an amazing story in verse. You have books in you. I’m so lucky to get to read bits here. I love how you set the story, deliver the action of the characters and then finish with a surprise at the end. All done with gentleness. Just beautiful.

Kim Johnson

Fran, all of it, as always, is a beautiful story – – and how I love your response: I read a lot. And that you asked about it on a third date shows that you felt the safe space already to have that personal conversation. Such a fun story for your boys and granddaughters – – a fun way to tease dad and grandpa in the most loving way. If you ever wondered whether the good Lord had a purpose in ministry for your husband, it all started way back when.

brcrandall

Good Morning, Fran. I awoke wondering what poetry might come out way and I began with your poem. These are the lines that jumped into my head rather quickly: “the doctors packed me in ice / and kept me in an oxygen tent.” It’s odd to think of human beings as needing to be wrapped in a cooler like sandwiches and soft drinks. This is a scar-story, indeed. Loved it.

C.O.

What a lovely story and connection to your lives now. Thanks for sharing!

Jennifer Guyor Jowett

Fran, the storytelling here is mesmerizing. You bring us along from first curiosity through threat, tossing in humor just when it becomes so, so serious, all in a delivery that feels like a porch conversation between friends. Thank you for sharing your gift of words, of the everyday elevated.

Margaret Simon

Your poem tells a love story, how when you first met him, you loved the scar, the man who had nearly been lost. We nearly lost a child to illness at 4 months. That fear never leaves us, does it? I love how you end with a joke.

Joanne Emery

Fran – surprised me! I felt such empathy for “the boy.” Then found out it was your very own to have and to hold boy. And the humor at the end. Thanks for the laughter!

Barb Edler

Fran, wow, you’ve shared an incredible survival story in this poem. I figured from the beginning that you were sharing your husband’s story, but I appreciate how you italicize his words and how you discovered the story. A fever of 108 is incredibly dangerous and I’m sure he is lucky not to have suffered brain damage. Your end lightens the mood and adds just the right amount of levity. I felt especially moved by the lines:
My mother stayed by my bed
and prayed

Gorgeous and powerful poem. Thanks for sharing!

Lainie Levin

Fran, what a beautifully told story. I can picture the two of you: you, being quite forward to ask about the tracheotomy, and him indulging you in the story, you marveling (I mean, I know *I* would) to hear the story of this human whose presence across from you is a miracle. And, knowing you, I can tell you how saw the scar as a thing of beauty.

I also had to smile at the ribbing he gets from the kids: “Are you SURE / you don’t have / permanent brain damage, / Dad?!” I mean, are there any kids who don’t, at some point, suspect that of their folks?

Angie Braaten

Hi Bryan,

Wow, I didn’t want your poem to end. It’s beautiful. I like when you said your son has always known how to catch God’s light just right. Also how you have your dad’s hands now. Thanks for the prompt.

I’ve been lucky in the scar department.
I’m not an overly cautious person either.
Been in my share of car accidents,
kind of an adrenaline junkie,
very active as a kid.
Just pretty lucky.

Only one on the knee from a bike fall 
when I was about ten years old.

Skin scraped against the concrete, leg painted blood red.
Dad lifted me up on the edge of the pink sink 
and poured a bottle of hydrogen peroxide on it.
When I was done crying I noticed the consistent throb,
more interesting than painful.

I used to dig my nail into the circle of numb skin
that’s lighter than the caramel of my natural tone.
I wondered why the scar had no feeling.

Haven’t done that in years 
It’s not as numb as it used to be.

Fran Haley

Angie, I love the poet-writer in you as a child, observing that “the consistent throb is more interesting than painful” after the peroxide, and the child poking at the scar, wondering at the numbness. Those last lines are, in their way, so hopeful – we can be healed, but can we feel again? Dare we?

Linda Mitchell

That last line…that’s where the story really ignites. I love it! I want to know more, more, more. I imagine this a love story.

Kim Johnson

Your first line is a winner – – I’ve been lucky in the scar department. From there to the numbness at the bottom with the nail in the skin, this was all a great way of learning more about you. I agree – you’re 100% lucky!

brcrandall

Angie, I was once taught the correlation of ‘happiness’ and ‘luck.’ Hap means to come across…to find. In the tragedies of yesteryear, unhappiness was the norm. Those who happened upon a smile or laughter were considered lucky. With that first thought out of my head, I am thinking about “I used to dig my nail into the circle of numb skin /
that’s lighter than the caramel of my natural tone”….here is such a delicate detail…a movement worth poetic exploration over and over again. Thanks for sharing.


Margaret Simon

This prompt brings up a childhood memory that many of us share, that fall, the scrape on the concrete. I have a knee scar, too. I seem to remember there were tiny rocks that had to be dug out. Ouch! I like how you play with the idea of numbness at the end.

Kate Sjostrom

Your poem brought right back the feeling of “skin scraped against the concrete,” of the “throb” of pain after peroxide. And I love the vivid imagery of the “pink sink” and “caramel… tone.”

Leilya Pitre

Angie, you tell about your experiences with scars and particularly the one on your knee so well. I want to keep reading. To me, it’s like a beginning of a bigger story, and I would like to hear it too. These lines made me stop and think:
I used to dig my nail into the circle of numb skin
that’s lighter than the caramel of my natural tone.
I wondered why the scar had no feeling.”
I am wondering with you: how come physical scars don’t bother us most of the times after they are healed? In any case, I enjoyed reading your poem.
On another note, the numbness might be caused by a nerve damage, but luckily nerves tend to regrow over time.

Lainie Levin

I’m kind of like you: I don’t have an overwhelming number of scars myself. You describe the aftermath with your dad so vividly.

What I loved most about your poem was the interest you had in your scars. “When I was done crying I noticed the consistent throb, / more interesting than painful.” The way you talk about a kid’s fascination with it – if I pick it, what happens. Why does it hurt sometimes? What happens if I press it?

And the way you end with “It’s not as numb as it used to be.” Well…that’ll stick with me.

Kratijah

Love it Angie. I can see my younger sister in your poem. She was overly active as a child and not too cautious yet she does not seem to have many scars.

Christine Baldiga

Bryan, thank you for hosting today. I love all the images of hands you weave in here and then ending with healing as your finger dance across the keys. Thank you! And thanks for the link to music by my teenage idol!
My draft:

Head Injury

There I sat
on an old wooden sled
The kind with the rusty runners
I think…
But what do I remember?
It was a head wound

I was ready to go
Aiming for the thrill of a lifetime
Pushed by a neighbor named Billy
I think…
But what do I remember?
It was a head wound

Then something went wrong
My sled veered left and I crashed
into the old rusty bed frame, resting and rusting by the side of the hill
I think…
But what do I remember?
It was a head wound

I was carried inside and
laid on the kitchen table
where towels cleaned up the wound
while someone mentioned stitches
I think…
But what do I remember?
It was a head wound

The rest of the day is forgotten
except I carry the scar
beneath by my now graying hair
Learning never to sled on the hill by the bed
I think I never did
But what do I remember?
It WAS a head wound.

Angie Braaten

Christine, when I read the first stanza, I knew I was going to comment about how I loved these lines:

But what do I remember?

It was a head wound

The slight humor but also the factual nature of them. Then you repeated them and I loved it more! Great poem.

Linda Mitchell

Your use of repetition is fantastic…it really gives the feel of being woozy. And, it’s a great story. Billy. There’s always a Billy, isn’t there?

Kim Johnson

The repetition of the lines at the end each time truly drive this home –

But what do I remember? It was a head wound.

I love the way you used rusty and rested in the different stanzas. I’m glad you’re okay. I’m learning a lot about many of us as I read today’s poems. A hammer to the head, a wreck on a sled, a heartbreak, a trach, maybe the start of another poem with all our rhyming scars today…..at least we can find a little laughter and healing in all the wounds.

brcrandall

Christine, your poem has me wondering about your neighbor Billy (you think) and why there was a bed by the hill where you grabbed onto a sled. Perhaps these are the words that make some of us listen more astutely to Cat Stevens. “Look at me, I am old, but I’m happy.” The grays cover the scars, but the stories are still there! Thanks for the poetics this morning!

C.O.

Perfect repetition here and emphasis on remembering the important fact that it was a wound! Lovely image. Thanks for sharing

Margaret Simon

I love the repetition of “what do I remember?” Even without a head wound, memories trick us. Great storytelling in your poem.

Susie Morice

Christine — This is a terrific piece. I LOVED the “head wound” repetition…It is poignant and also really funny. Hitting old bed springs…funny but not really…you got a head wound after all! The hiccups in memory are just right, a perfect way to narrate this “scarring” event. Loved your poem. Susie

Erica J

I think my favorite part of this is the repetition of ending line in each stanza — it adds some humor to the story and took away some of the terror that could be dealing with that kind of trauma.

Susan

Love the repeat of “It was a head wound.”
But really love

The rest of the day is forgotten

except I carry the scar

beneath by my now graying hair

Leilya Pitre

Christine your poem flows like a well-told story I would hear from my mom. The repetitions of two final lines in each stanza hint on literal and metaphorical consequences of your “head wound.” I like that you remembered that story to tell us today. Thank you!

Lainie Levin

I’m with the other commenters. The last two lines of each stanza make a great refrain, especially with respect to the head wound. Everything around it becomes fuzzy, woozy. But you bring us snippets of memories, blurs of memories and thoughts around what happened? Didn’t happened? And it has such a kid sensibility to the lines. “I was ready to go / Aiming for the thrill of a lifetime.” This sounds like a story that might live in family lore, expanding and contracting in the retelling.

Kim Johnson

Bryan, your prompts always amaze me – their thoughtfulness and inspiration in and of themselves are works of poetry even before the poem. And the poem. My word. August sunbeams and the spiraling maple – – when there was time for such games – – the pinkie and the watchful eye of your father — you conjure such powerful moments and images.

I chose a Pantoum form for this poem (I’ve been on a Pantoum kick lately) and made the decision to keep a staccato rhythm, as if touching a hot stove and getting burned. 

Heart Scar Pantoum

my heart is scarred
it opened
it believed
it got stomped

it opened
it trusted
it got stomped
it realized

it trusted
it committed
it realized
it learned

it committed
it believed
it learned
my heart is scarred

Angie Braaten

I love the pangolin effect for this subject. It speaks volumes of your heart scars ❤️ I will need to try another pantoum soon!

Christine Baldiga

I feel such heartache in your words. Heart scars are the worst and you captured that pain with so few words and beautifully too! Thank you for sharing

Last edited 3 days ago by Christine Baldiga
Fran Haley

I adore pantoums, Kim. They are so musical. And oh does yours ever capture the hurt of broken trust. Love the use of “stomped” – it is perfect for someone’s deliberate mistreatment of another (sadly).

brcrandall

Kim, the choice of a pantoum with the staccato works, almost robotically, with the age-ol’ ‘that’ll learn you…you only touch a hot stove once’ phenomenon we’ve all experienced. Your style here might be a prompt for #VerseLoves ahead. I love the rhythm you created.

Margaret Simon

What an effective poem form! The beat of it, it, it… like the beat of a heart.

Susie Morice

Aah, Kim, this is a beautiful examination of a scarred heart. I feel it …way too much perhaps. And the pantoum, a perfect vehicle. So often when things hurt in a poem, the piece falls apart…this does NOT…it is meaningful, spot-on, pantoum perfect. Hugs, Susie

Leilya Pitre

Kim, you poem evokes the pain of past experiences that are supposed to teach us after the heart “opened… believed,,, got stomped.” In reality we step on the same rake a few times. Your pantoum form works so well here to reinforce the idea that even after we learn our mistakes, the scars still remain. Beautifully done!

Barb Edler

Kim, the staccato beat works effectively here, especially since it is like a heartbeat. Your word choice adds emphasis to the various ways it’s been scarred: like believing, being open, and trusting. Yes! A heart is easily scarred.

Susan

Bryan,
A great prompt with great inspiration. Your mentor poem sure cuts to the gut of emotion.

Scars

some are physical
some are emotional
some are both

a fall down concrete stairs
four-years old
being too big for my britches
next thing you know
I’m at the ER for stitches

have to hide the proof
profile picture of just the right
have to keep the stitches
out of sight

to protect her 
and her fragile heart
is the goal
the lifelong trend of
shielding her from strife
at all costs

even a four-year old heart

or a twelve-year old one

or a twenty-year old one

or a twenty-nine-year-old one

my hair naturally parts there
creating a window 
specifically for that bubble of a scar
to be revealed like a piece of art
in a museum 

Fifty-five years later,
the middle finger
of my left hand
instinctively reaches up
in pensive moments
in anxious moments
in uncertain moments
and strokes that bubble
of a scar
trying to 
caress the emotional scar
that’s squirrled away 
deep in my psyche
connected through 
decades of experiences
to that fall on 
the concrete stairs. 

~Susan Ahlbrand
5 April 2025

Kim Johnson

Susan, I’m glad you’re okay! That must have been one painful tumble, but the powers of the universe aligned for careful placement of it for the future years. That middle finger finding it and caressing it connected through decades of experiences back to that moment…..that’s powerful as a protection (and truthfully there is a bit of a wonder about which finger, too – – like there is a hidden code revealing how you really feel about something that brings a dash of humor)…..

Angie Braaten

Oof Susan! The feeling and imagery in these lines:

Fifty-five years later,

the middle finger

of my left hand

instinctively reaches up

in pensive moments

in anxious moments

in uncertain moments

and strokes that bubble

of a scar

wow. I can see it and feel it. I do similar things when anxious…

Christine Baldiga

Yikes Susan! What a scar. And yes hidden but not from you. I too was struck by the middle finger finding that wound, making a statement possibly? Thanks for sharing.

Fran Haley

Oh, Susan – our scars mark us in many ways throughout life. You illustrate that so well. You also have me thinking about what we feel we must (or are told we must) hide from others, so as not to bring them pain while we mask our own. Pain then folds in on itself. Yes, you have me thinking…

brcrandall

Susan, I’m intrigued by “my hair naturally parts there / creating a window,” and it opens to another world that you may wish to explore even further (deeply in your psyche). You triggered a horrible moment this past Turkey Day when a toddler leaned against my basement door and flew down the stairs. Alarming for us all! Beyond the scar are the stories of all the guests who had to thank The Great Whatever that day she was okay. Phew. Concrete stairs are no joke.

Kevin

Bryan,
Thank you for the prompt.
I was suddenly a kid, at the neighborhood tree fort, watching my friend’s hammer fall, knocking me out. I’m OK (I think).
:0
Kevin

A hammer to
the head —
it’s not what
you think —
but even so,
years after,
I thought
about it, often,
late at night,
remembering
the fall,
the cry,
the call,
as I lay awake
in bed

Kim Johnson

Kevin, the lead in is poetry today too!!! I’m okay….I think! I think of it as a painful and risky way to have become the poet you are – the fall from ordinary to extraordinary. No, you’re not okay. You’re better than okay. But still – – I can’t imagine the pain of it all.

Christine Baldiga

Kevin, I am always amazed, even jealous, of how you so quickly and efficiently write a verse with great impact and meaning! Thanks for showing me how it’s done. My long poem of a head injury could be trimmed!!

Angie Braaten

Whoa. That sounds like it hurt. I like the pondering in your poem. Accidents/scars make me ponder too.

brcrandall

Kevin, I love this twist of words: “it’s not what / you think — / but even so, / years after, /
I thought. That is delicious. The play with think to though. Yum. By any chance were you nicknamed “shark” after this incident…the hammer…the head…seems like shark would naturally follow. Thanks for always being the rooster to my yearly prompt! Love that you welcome your day with early poems!

C.O.

The fall/the cry/the call probably resonates with so many of our scar stories. The bits we don’t remember but others certainly do. Thank you for sharing this.

Susie Morice

Kevin — OUCH! Geez, kids have so many mishaps…a “hammer to the head” is not just a metaphor. Something very similar happened in one of my own adventures (though not to me)…it was almost comical and yet wasn’t. Glad your hammer made its way to a poem. Susie

Kim

Oh no! Love that lead…A hammer to the head… And then that short list: the fall, the cry, the call. You must be OK!

Scott M

Kevin, I’m with the others: I love your opening lines “A hammer to / the head” and the list of “remembering[s]” as you “lay awake / in bed.” And I’m glad you’re OK!

Julie Hoffman (she/her)

Kevin, I am hooked. I loved the 3 lines the fall/the cry/the call!